Jónsi @ The Vogue -- 04/06/10

One of my four favourite bands is Sigur Rós, so when I found out that lead singer Jónsi was not only releasing a solo album, but coming to town, too, it was a no brainer. I got tickets before I heard a single note of the album. I'd seen Sigur Rós twice before, and both shows are among my favourite concerts I have seen, so he kinda had a high standard set for him.

At about 8, a lone gentleman took the stage with guitar in hand. For a brief moment, I thought he was a roadie, especially with his extremely long hair, but it turns out he was the opening act, Death Vessel. I wasn't sure what to expect from a band named Death Vessel, but Joel Thibodeau (it's one of those One Guy With A Band Name deals) showed us a name does not make a band with his folksy, almost blues-y guitar playing and soprano voice (which was a little bit of a surprise). Even though he didn't really say anything to the audience -- only when he had two songs left, he thanked us for coming and Jónsi for having him, and didn't even say his name -- he still managed to captivate the crowd. I am pretty interested to hear some of his recorded stuff, to see if it matches the minimalistic set he played, or if it has more musicians to it.

And then was Jónsi. Coming out first with just himself and one other band member, at the xylophone, he started off with a beautifully slow song, "Stars In Still Water", before the rest of the band came out for "Hengilás", which was the first major showcase of the stage setup. There was a giant canvas sheet hung at the back of the stage and panes of glass on either side, first with alternating video of Jónsi and the band, but then with some still images of animals and fire. During the third song, "Icicle Sleeves", there was an animation of a wolf hunting a deer, and as the music grew in intensity, the two animals clashed and the curtain dropped, to reveal another worn down glass structure, with plants growing on and behind it, giving it a vaguely apocalyptic feel to it. As they went on, there were some more projections on the glass sections, which was a really cool touch. But nifty visuals does not a show make. Luckily, the music was excellent too.
"Tornado", one of my favourites off the album, was one of the first high energy songs, and the twitchiness (for lack of a better word) worked really well live, and the pair of "Go Do" and "Boy Lilikoi" were excellent together, with the latter being quite powerful. "K12" had the band all together on the side of the stage, around the piano and a second drum set, with some cool back-lighting, and the following, as-yet-unnamed song, had Jónsi by himself at the piano, in silhouette by a single light, which was a great image. But then I'm a sucker for that kind of lighting and imagery (see above picture for me trying to capture it with my sub-par cell phone camera). The main set ended with "Around Us", which had some cool vocal looping trickery at the end.
During the break the stage was light up by flittering lights as fireflies, and the three song encore started with another new song, then Jónsi got a very plantlike hat/headdress for "Animal Arithmetic", which was incredibly energetic, and would have been the best song of the night... were it not for "Grow Till Tall".
The song started off really slow and calm, and soft rain (or snow) was projected onto the glass. Then as the song grew from a soft sprinkle to a typhoon, so too did the rain and flickering lights for the storm. Any description here will not do justice to the performance of the song, but it was possibly the most moving and emotionally draining songs I have ever seen performed live. It was damn near indescribable, and something that I will not ever forget.

I left the Vogue in complete awe of the show, and while it is still too early to call it, I am pretty sure that this is going to be the show that all others need to measure up to, for the rest of the year.

setlist
stars in still water, hengilás, icicle sleeves, kolniður, tornado, saint naive, sinking friendships, go do, boy lilikoi, k12, [new piano song], around us.
(encore) [jonsi new guitar song], animal arithmetic, grow till tall.
this is courtesy of Jónsi's website, which has a page for each show on the tour and includes the setlist, as well as photos, reviews and comments of the show. It was really cool, and a feature I wish more bands would implement. Check out the page for this show here.

Favourite albums of 2009 (part the second)

In case you missed it, part one is here!
It's only a little late, but I finally got caught up on my backlog of albums from 2009 I wanted to review. I think I did just about every new album I picked up during 09 -- which was over 50! -- so now I might as well post my favourite twenty albums. And yes, that is "favourite", not "best", so while something may be technically "better", these were the ones I liked the most. Also, they are in order of release date, as I am terrible at numbering things.
Were I a more organized person, I would have sat down this long weekend and listened to all 20 albums and come up with something new and exciting to say for each, but with my laziness school term coming to a close, I just didn't have the time, sadly. But I have included links to all the previous reviews I did on the albums, which are still as valid now as they were then.

In A Quiet World by We Are The City (original review)
superb debut

"Fathers" EP by Black Hat Brigade (original review)
an EP with more substance than most full lengths

Dragonslayer by Sunset Rubdown (original review)
this is why SR is my favourite of all Spencer Krug's bands

Nice, Nice, Very Nice by Dan Mangan (original review)
the acclaim is much deserved

Bay of Pigs EP by Destroyer (original review[ku])
more proof of Bejar's musical genius

Monsters of Folk by Monsters of Folk (original review)
could've been messy, ended up awesome

Friends & Total Strangers by The Trews (original review[ku])
live & acoustic, shows their true talent

Vancouver by Matthew Good (original review)
favourite album of the year (surprise)

Islands Disappear by Said The Whale (original review)
possibly perfect power pop

Tic Toc Tic by The Zolas (original review)
insanely catchy


So, what do you think overall? Agree? Disagree? Think I missed something major? Just like to complain? Let me know!

Favourite albums of 2009 (part the first)

It's only a little late, but I finally got caught up on my backlog of albums from 2009 I wanted to review; I think I did just about every new album I picked up during 09 -- which was over 50! -- so now I might as well post my favourite twenty albums. And yes, that is "favourite", not "best", so while something may be technically "better", these were the ones I liked the most. Also, they are in order of release date, as I am terrible at numbering/ordering things.
Were I a more organized person, I would have sat down this long weekend and listened to all 20 albums and come up with something new and exciting to say for each, but with my laziness school term coming to a close, I just didn't have the time, sadly. But I have given quick thoughts about each one, as well as included links to all the previous reviews I did on the albums, which are still as valid now as they were then.

Stay tuned tomorrow for part two!

Get Guilty by AC Newman (original review [warning, on the lamelivejournals])
catchiest songwriter around?

Tonight: Franz Ferdinand by Franz Ferdinand (original review [warning, on the lamelivejournals])
full of surprises

The Beat Stuff EP by Hannah Georgas (original review[ku])
can't wait for a full length

The Happiness Project by Charles Spearin (original review)
most interesting album of the year

Middle Cyclone by Neko Case (original review [warning, on the lamelivejournals])
unparallelled voice

Three by Joel Plaskett (original review [warning, on the lamelivejournals])
not many artists could pull off a triple disk

The Hazards of Love by The Decemberists (original review)
is there a more epic word than epic?

Calm Awaits by Black Diamond Bay (original review)
patrick krief is my new hero

Fantasies by Metric (original review)
a culmination of their strengths

Battles On by The Ghost Is Dancing (original review)
criminally under-looked.


So, what do you think so far? Agree? Disagree? Think I missed something major? Just like to complain? Let me know!

Tic Toc Tic by The Zolas

While this may be the first album under this name, Zach Gray and Tom Dobrzanski are definitely not new to the Vancouver music scene. They first earned attention and acclaim as half of Lotus Child, but after that band dissolved, they joined forced once again as The Zolas and burst forth with the released of their first album, Tic Toc Tic. Produced by Howard Redekopp (New Pornos, Mother Mother, Said The Whale, 54-40 and many, many more), the album also features a few other Vancouver musicians, like Aidan Knight, Ali Siadat (Mother Mother), Ashleigh Ball (Hey Ocean!) and Shane Nelkin (The Awkward Stage), among others.

The album comes out swinging with "You’re Too Cool", an insanely catchy and somewhat scathing look at hipsters, which even name checks their Vancouver headquarters, the Biltmore Cabaret. The high energy of the opening track not only manages to be kept up, but even surpassed as the album goes on; "The Great Collapse" has a deceptively upbeat sound masking the dark lyrics about the fall of civilization, and "Marlaina Kamikaze" features quick and almost frantic & rambling verses, which fits the theme of post-breakup psychosis. This is countered by the overt sexually frustration in "Body Ash" which is then the released for all the wrong reasons in "Cab Driver", proclaiming "I'm gonna love you to cancel my mistakes" in one of the most straight up rocking tracks, with an insane outro that really highlights the piano in their piano-pop. "Marionettes" brings things down for a moment, showcasing the bands skill as balladeers, but the somewhat dark and eerie "I’ve Got Leeches" cranks it back up, if only for a moment. "These Days" is the slowest song on the album, and while it's by no means a bad song, it's probably the least good... I think it would have worked better coming off of "Marionettes" without Leeches splitting them.
One of my favourites, "You Better Watch Out", is another highly energetic track with cascading piano and a touch of horns, and sees the narrator wresting with his shyness on the bus while "here beside me sits the girl of my prayers" (which is a feeling I relate to far too well). But then that is followed by "No Talking" which comes right out with an anthemic chorus and a carpe diem vibe. The final two songs on the album see the band stretching their stylistic muscles, with "Queen of Relax" overflowing with cynicism and asking, nay, sneering: "Don’t you think it’s time for a car crash?", and "Pyramid Scheme", which is a lot looser that the tight and fiery passion of the rest of the album, and brings the album to a sprawling, shouting end, almost abruptly.
(And a random aside, just a strange personal anecdote: the first time I listened to the album, it was while I was reading the excellent I Kill Giants, and during the climax of the book, the lyrics "Fee-fi-fee-fi-fo-fum / I smell the blood of a Caucasian. / Be we alive or be we dead, / He’ll grind our bones to make his bread." came on. So very fitting, and I love it when things sync up like that)

Tic Toc Tic manages to keep its energy and catchiness throughout, and underneath the flash, it has substance -- something that is sometimes forgotten by bands looking to be more punchy than poignant. It is also yet another good example of how friendly and tight knit a lot of Vancouvers bands have become. It is really nice to see a music community where it isn't just a handful of unrelated bands, but a group of musicians who are friends, help each other out and even tour together. You needn't look farther than their show at the Biltmore earlier this year.

Overall, is a very solid album, an excellent debut, and I can't wait to see where they go from here.


Download The Great Collapse


Download Marionettes


Download You Better Watch Out

Clicky to exchange monies for music

The Bonfire Ball w/ Jason Collett, Zeus & Bahamas @ Biltmore Cabaret -- 03/26/10

I don't even know where to begin.

For a while now, I've been yearning for a show where a few artists just took the stage together to play each others songs, especially after Monsters of Folk did the format so masterfully last year. Well, the Bonfire Ball was exactly what I was looking for. Jason Collett, Zeus & Bahamas, together in one show, not just with three different sets, but all taking the stage together, weaving together a three hour set comprised of all their songs (and more). With Zeus both touring with and backing Jason Collet on his last tour, and Bahamas (aka Afie Jurvanen) playing on both their albums, the format only seemed natural. I've seen each of these bands live before and each one I would gladly pay to see on their own, so a show like this? Awesome.

The night started off with Jason Collett hitting the stage alone for "My Daddy Was a Rock n’ Roller" before Zeus and Bahamas came out to join him for "Fire" and "Hangover Days". Bahamas took front and centre next for three songs, and then three from Zeus, with their first being the awesome "Kindergarten". The rest of the first half traded off Zeus and Collett every few songs, with "Bitch City", off Collett's new album Rat A Tat Tat, being great live, and "High Summer" having a pretty funny intro. Collett talked a bit about the differences between Canadian & American cultures (they just came back from a week touring in the States) and pointing out what the sign of a true Canadian is (the ability to make love in a canoe), a fact that tied into the song. That was pretty much the most banter for the whole show, which was a little sad; I especially missed Afie's stage banter, which is part of what won me over when I first saw Bahamas. He just oozes charisma, and was hilarious with his faux arrogance and attitude that almost reminded me of Dave Grohl. While he still still insanely charismatic, there was only a little banter.
Back to the set, though: while this wasn't the first time I've seen the new Zeus songs live, it is the first time since the album came out, so it was great to be familiar with them. "River by the Garden" and "Marching Through Your Head" were both superb live. The first half of the show ended with "Cornerstones", off the Sounds Like Zeus EP, which just tore the place down. Every time I've seen them (this will be the fourth) they just get better and better. And it's really cool to see them switching things up, as just about every song had a different configuration, with three of the four members switching off between the guitars, bass and keys, and all of them providing vocals. Very Sloan-esque of them.

I think I honestly could have left right then and been satisfied, but we still had a lot more show to go!

The second half began after a quick break with Zeus back out, with their insanely catchy "How Does It Feel?" (a slogan we decided was probably not a good idea to have on a t-shirt). They traded off for a few, with Collett's "Rave On Sad Song" being another highlight. Then there was a little of Bahamas' banter; before "What's Worse" he called out a guy who was being a little rowdy, then proceeded to sing the song to the girl he was with. There was also a great moment in the song where Afie and one of the members of Zeus had a nice guitar duel going. I can not wait until Bahamas is back for a headlining show of his own.
Collett had a bit of a love double shot with two newer ones, "Love is a Dirty Word" and "Love is a Chain", before one of my favourite Collett songs, "Charlyn, Angel of Kensington". Jason was, of course, insanely good live. This was my fourth time seeing him live (the other three times, interestingly enough, were all in '08) and I've never been disappointed.
Rounding out the second portion, Bahamas dedicated "Hockey Teeth" to a random couple who may or may not have been on their first date, and Zeus nearly blew the roof off with "You Gotta' Teller", before "ending", all together, with another of my favourite Collett songs, one which is always incredible live, "I'll Bring The Sun". The way the song builds to the conclusion, seeing everyone just go crazy on stage, it was just... wow. It blew the roof all the way off.

Then there was the obligatory encore, which was an all-cover-song set, and if you know me, you know I love hearing bands do covers live. First saw just Bahamas on the drums and Neil Quin of Zeus on the guitar for what may have been the best cover, R. Kelly's "Ignition". Done completely straight. Yeah, it was glorious. The rest of Zeus came out for their cover of Genesis' "That's All", then for his cover, Bahamas absolutely owned the room with "I've Never Found A Girl (Who Loves Me Like You Do)" by Al Green. I wouldn't be surprised if half the girls in the room fell in love with him that night, and the other half after that song. Collett pulled out some Rolling Stones for "She's So Cold", and the night ended, after more than three hours, with everyone rocking out to The Beatles' "Slow Down".

And to put the proverbial icing on the cake? Grant Lawrence and CBC Radio 3 were urging people to fancy themselves up, as if going to a real ball. So, of course, never one to pass up the opportunity to suit up, I went for it. And the cool thing is, so did a fair amount of others! Most of the Biltmore was still in the usual hipster-wear, but there was a group of us all gussied up. You could definitely tell who in the room was an R3 listener.

Three fantastic bands. A dream format. Cover songs. Suiting up. This was quite possibly a perfect show for me; it was one of, if not the, best of the year so far and will certainly be hard to top.


I managed to (mostly) keep track of the setlist. It's a bit of a doozy, so prepare for some scrolling. I also missed the titles of a few songs... they may be new, since I tried to match them with songs I know/have, but I also might just fail. If you know them, feel free to let me know so I can fill 'em in.

My Daddy Was a Rock n’ Roller (Collett)
Fire (Collett)
Hangover Days (Collett)
Your Touch (Bahamas)
Caught Me Thinking (Bahamas)
Be My Witness (Bahamas)
Kindergarten (Zeus)
I Know (Zeus)
Airplane (Zeus)
We All Lose One Another (Collett)
High Summer (Collett)
Greater Times On the Wayside (Zeus)
The River by The Garden (Zeus)
Idols of Exile (Collett)
Bitch City (Collett)
Long May You Love (Collett)
Marching Through Your Head (Zeus)
Cornerstones (Zeus)
(intermission)
How Does it Feel? (Zeus)
The Renegade (Zeus)
I Got You Babe (Bahamas)
Cold Blue Halo (Collett)
Lake Superior (Collett)
Rave on Sad Song (Collett)
Already Yours (Bahamas)
What's Worse (Bahamas)
[mystery song] (Zeus)
At Risk Of Repeating (Zeus)
Love is a Dirty Word (Collett)
Love is a Chain (Collett)
Charlyn, Angel of Kensington (Collett)
Out of Time (Collett)
Hockey Teeth (Bahamas)
Heavy On Me (Zeus)
You Gotta Teller (Zeus)
Blue Sky (Collett)
I'll Bring the Sun (Collett)
(encore)
Ignition (r. kelly cover) (Zeus [Neil Quin])
That's All (genesis cover) (Zeus)
I've Never Found A Girl (Who Loves Me Like You Do) (al green cover) (Bahamas)
She's So Cold (rolling stones cover) (Collett)
Slow Down (the beatles cover) (all)