Immaculate Machine @ Biltmore Cabaret -- 03/19/10

Ok, I've gotta complain about the Biltmore here for a moment. I think it is a great venue to see a show, but where there are severely lacking is in time management and consistency. On their site, they had doors at 8, show at 9:30. But 9:30 rolls around, and nothing. Then 10. Then finally at 10:30 the first band goes on. The first band of three, mind you.
When they have Glory Days and want to kick everyone out, they have no problem making a show run smoothly and on time, but this just seemed like they were trying to milk money out of everyone there by keeping us as long as possible so people would buy more drinks (jokes on them, I just had free water!).

So for full disclosure, I was kind of tired by the time the first band came on (up at 630 with six hours of sleep will do that), and I fully admit it may have effected my enjoyment of the opening acts. The first of which was A Pale Blue. They hit the stage at 10:30, but there was a bit of stalling for a while after the curtains opened. Their sound was kind folky-country, but maybe a little too much on the country side. The set was half an hour, but seemed quite a bit shorter, since there seemed to be quite a bit of them standing around for no apparent reason... They were not bad by any means, but just not really anything that held my attention.

Then coming on at 11:30 was Sun Wizards, a great band name. Their set, too, was pretty short, but definitely more up tempo. They had some catchy songs, but it seemed a little bit too much like one catchy song played with slight variations over and over. The vocals were also really indistinguishable; I think the lead singer somehow managed to mumble and yell simultaneously... Again, they were not bad, and I might be interested in seeing them open for someone again, but I probably wouldn't go see a show for just them.

Both bands sets kind of blended together (within themselves, not with each other), and again, my general fatigue probably played a factor, so I am not counting either one of them out. But neither one particularly gave a good enough first impression to get through my tired eyes.

And finally, FINALLY, hitting the stage at 12:30 was Immaculate Machine. Last time I saw them I was quite disappointed by Kathryn Calder not being at the show, but this show more than made up for it. I am not sure if she has fully left the band, or is just more of a part time member now (with her being in New Pornos and her upcoming solo album), but I was reminded so much of why I love the band. That's not to take away from Brooke Gallupe, as he is also an excellent musician, but Immaculate Machine without Kathryn is like Stars without Amy Millan, or Black Mountain without Amy Weber. Yes, Campbell, McBean and Gallupe are all more than capable of fronting their respective bands on their own, but it would just be weird. It was only three songs in, with "C'mon Sea Legs" and "Dear Confessor" (one of my favourites) back to back, when I realized how much of an impact Calder made.
That was just reaffirmed throughout the night, especially when they played some of their older songs like "Broken Ship" and "Jarhand". And of course the newer ones were great too, with "Sound the Alarms" and "Neighbours Don't Mind" both being incredibly high energy and rocking. Spanning songs off their last three albums (their first, Transporter, got no love) and throwing in a their usual cover song, this time "The Chain" by Fleetwood Mac (they've played a different cover every time I've seen them live, and that is just another reason I love the band so much) this was probably the best I've seen them play. They were all on top of their game, and it's kind of interesting to see how they've grown since the first time I saw them four years ago.
They played for about an hour or so before "leaving" and coming back for just one more and taking off for good. Which I didn't mind too much, since it was already after 1:30 at that point. I may have managed to be alert for their entire set, but I don't know how much longer I would have lasted. There was also a cool piece of merch I picked up, a collected edition of the various comics Brooke has done over the years. Some can be viewed here at their website but there are more in the book. For only $5 it was definitely worth it.

While the poor time management may have put me off the show "earlier" in the night, it was more than worth it to see the excellent set from Immaculate Machine.

setlist:
Only Love You For Your Car, Don't Build the Bridge, C'mon Sea Legs, Dear Confessor, You Destroyer, Thank Me Later, Sound the Alarms, Phone No., Broken Ship, He's a Biter, So Cynical, Jarhand, The Chain (Fleetwood Mac cover), No Suck Thing As The Future, Neighbours Don't Mind. (encore) Nothing Ever Happens.

Review-kus.

Originally I wanted to review every album I bought/otherwise listened to last year. Clearly, I've slacked on that. Partially cos there have been a lot of albums that, for whatever reason, I don't feel like writing a full review for. So what I have decided to do is give a few really quick reviews all at once.... in haiku form. Here we go!
After this I think I only have one more full album review (maybe two, depends on how I'm feeling) then I am done with my '09 albums! Only three months too late... and now I'm behind in my '10 releases... a bloggers work is never done.

Other Truths by Do Make Say Think
Epic wall of sound
Requires many listens
To reach its true depth

Download Do by Do Make Say Think
(notice: track is 10 minutes long. the album has four tracks, but runs 43 minutes!)

Them Crooked Vultures by Them Crooked Vultures (John Paul Jones + Josh Homme + Dave Grohl)
A bit too "queens-y"
I wish they rotated jobs
Even still, quite good.

Download Scumbag Blues

The Persuit by Jamie Cullum
Good, as expected
Usual brand of jazz-pop
Some nifty covers

Download Mixtape by Jamie Cullum
And because I feel like it, here is another track from the album, a cover of Rihanna's Don't Stop The Music.

Download Don't Stop The Music by Jamie Cullum (Rihanna cover)

The Trews @ LiveCity Downtown -- 03/14/10 (Even More Paralympic Shenanigans)

I really wish LiveCity existed all the time. Three great bands in three nights, and all for free. You can't beat that! The Paralympic opening weekend was closed out with Antigonish, Nova Scotia's The Trews! (side note: I love saying Antigonish.) I missed their show at Atlantic House during the Olympics due to the insane lines, so I was more than happy when I found out about this show.

I've said before that The Trews have got to be one of my favourite live bands; few bands have can match their raw energy live, and they did not disappoint this time. Even after Colin admitted they left Canadian Music Week in Toronto at 5am that morning, any fatigue on their part was not noticeable (or at the very least, well concealed). They kept up the energy for nearly an hour and a half, hitting material old and new, and even a brand new one which has been played live since their acoustic tour, "Highway of Heroes", a moving number written about a woman from their hometown (Antigonish) who went off to fight in the Canadian Forces and never returned.
Some other highlights of the set were "Ishmael & Maggie", which is perhaps my favourite Trews song, ending with the band forgoing their instruments and crowding around the two mics to sing the end a capella. That transitioned nicely into another one of my favourites, "Poor Ol Broken Hearted Me" which had the crowd singing along by the end. Another great song-along, "Tired of Waiting" had a bit of an extended ending which segued perfectly into "Hold Me In Your Arms", which "ended" the main set. And of course no Trews show is complete without John-Angus' fantastic guitar playing. Part way through "Yearning" the rest of the band left the stage, leaving just him up there to melt most every face in the crowd. For the encore, they came back with a few mellower tracks, "Man of Two Minds" and the acoustic "Sing Your Heart Out" before ending the show with the intense "Burning Wheel" and the band just go crazynuts at the end.
One of the things I have always loved about The Trews live shows is how they slip in random covers here and there, and this show was no different. There was a verse from Fleetwood Mac's "Second Hand News" in "Can't Stop Laughing". The chorus of "Waving Flag" by K'naan was in the middle of "Yearning", and they started "Tried of Waiting" with a few lines from "54-46 That's My Number" (originally from Toots & the Maytals, but oft-covered).

This was my fifth time seeing The Trews live, and while I don't think it was my favourite show of theirs, it is always enjoyable to see them live. I can't recommend them more if you have the chance to see them live... especially for free!

setlist:
Dark Highway, So She's Leaving, Not Ready To Go, Can't Stop Laughing (w/ Second Hand News by Fleetwood Mac), Paranoid Freak, Yearning (w/ Waving Flag by K'naan), Ishmael & Maggie, Poor Ol' Broken Hearted Me, Highway of Heroes, Fleeting Trust, Tired of Waiting (w/ 54-46 That's My Number by Toots & the Maytals), Hold Me In Your Arms.
[encore] Man of Two Minds, Sing Your Heart Out, Burning Wheels.

The Weakerthans @ LiveCity Downtown -- 03/13/10 (More Paralympic Shenanigans)

Why am I not a bigger fan of The Weakerthans? That was one of my first thoughts after leaving their free show at Livecity Downtown last night. Not to say I don't like the band. I have their latest album, Reunion Tour. I hear them on CBCR3 all the time. I've even seen them live before. But for some reason I guess I've always been more of a casual fan than anything. But after a pretty damn good show at Livecity Downtown last night, that may have to change.

Starting off with "Night Windows" and, of course dedicated to the curlers, "Tournament of Hearts" they went on to play for a little over an hour. They played most of the songs I knew from them, including the catchy "Sun in an Empty Room" -- which features one of my favourite lyrics: "parallelograms of light" -- and toasting us with the spoken word "Elegy for Gump Worsley", which is, as you might guess, about old goaltender Gump Worsley. Half way through the set, most of the band left, leaving John K Samson alone for "One Great City", which saw just about the whole room singing along, especially to the chorus proclaiming their hatred of Winnipeg. They ended the set with "Civil Twilight" and another song, which I didn't catch, but was a pretty great way to end the set.
There was the usual short encore tease before Samson came out alone again. He admitted he felt bad about forgetting some of the words in the last couple songs (which I didn't even notice) and felt as if he owed us... so reached into his pocket and handed a $10 bill to one of the people in the front row! After dedicating the song to both the volunteers and protesters of the olympics, and relating his pride of the guitar solo in the upcoming song (which we would know when he started playing with the "guitar solo face"), he launched in to "Utility". The rest of the band joined him mid-song; in time for his solo, which was pretty awesome. They ended the night with a couple more songs, managing to not only keep up the high energy they had throughout the set, but amplify it.

Even though it's my third time seeing them live (first time I saw them open for Feist, second I won tickets to their Rolling Tundra Revue with The Constantines) I was still blown away by how great they are. It seems every time I see them live I like them more & more, to the point where I think I am going to have to rectify my woeful underappreciation for this band.

Said The Whale @ LiveCity Downtown -- 03/12/10 (Paralympic Shenanigans)

It's time for round two of the free shows! Last night was the opening of the Paralympic Games, and while there may not be nearly as many free shows as the Olympics, Livecity Downtown is open again and has some great bands playing this weekend and next. To kick things off? Said The Whale! I somehow managed to miss all their shows during the Olympic break, so I certainly wasn't going to miss seeing them this time.

Even though it's my fourth time seeing the band, I am still amazed by their live show. The energy and enthusiasm they put into playing, it's obvious that they love what they're doing. And even though they're still a relatively young band, everything just comes together so well that you would think they have been playing together for decades.

They kicked off their set with their newest single, "Emerald Lake, AB", an older one which had most of the crowd singing along, "This City's A Mess" and "Love is Art/Sleep Through The Fire", which almost overshadows the recorded version with how ridiculously good it is live. It was kind of strange to hear "BC Orienteering" without Hannah Georgas (even when I've seen the song live, she's always been there to sing her part) but it was still great nonetheless. "Holly, Ontario" started off with some cool "chest percussion" -- which I kind of wish the crowd joined along to instead of just clapping -- and went from a soft start to a crazy climactic ending as it sort of segued into "Dear Elkhorn". They broke out a brand new song, which I think was called "New Brighton", and was pretty cool.
Regular readers (both of you) know how much I love "Goodnight Moon", and it's always great to hear live, with it's soft beginning that turns into the whole band (and the crowd) going nuts for an insanely joyous ending. Plus it's always fun to see someone rocking out on a ukulele. They "ended" with "Camillo (The Magician)" and everyone in the crowd just went crazy, but came back for a one song encore, since they only had four minutes left. A brief poll of the crowd had "Curse the Current" win out over "Gift of a Black Heart", and they asked everyone to sing along to close out the night. It may not have been quite as awesome as the unamplified rendition from their show at St James Hall, but it is a great song to close out a show with.

Even though they played for an hour, it didn't seem like nearly enough and I can't wait to see them again at the Commodore on May 5th, opening for the awesome Plants & Animals. That is bound to be an amazing show.

Setlist:
Emerald Lake, AB; This City's A Mess; Love is Art/Sleep Through Fire; The Banks of the English Bay; BC Orienteering; Black Day In December; The Light is You; My Government Heart; Holly, Ontario -> Dear Elkhorn; New Brighton; Out On The Shield; False Creek Change; Howe Sounds; Goodnight Moon; Camillo (The Magician). [encore] Curse The Currents.