Best of 2011: Albums: Haiku Edition

Okay, so I definitely fell behind this year when it came to album posts and reviews. But that's not going to stop me from subjecting you to yet another Best of 2011 list, which will be my favourite albums of 2011, in -- what else? -- haiku form. It's actually going to be less of a "best of" and more of a "personal favourite". I completely acknowledge that there may have been, technically, better albums this year; but some of those "better" ones I just couldn't get into for some reason *cough*Feist*cough*
So here it is. While the list is not numbered, it is in a vague order of "least-best" to "best", and I've included EPs as well as LPs because why not, that's why.

The King Is Dead by The Decemberists
Back down to basics
Strong songwriting from Meloy
As you would expect

Diaper Island by Chad VanGaalen
Refined and focused
Soaring vocals, instruments
On top of his game

Days Into Years by Elliott BROOD
Suitably toned down
War memorial inspired
Brilliant songwriting

Portage & Main by Portage & Main
A solid debut
Strong folk rock, heartfelt lyrics
Great blend of voices

Eureka by Mother Mother
Infectious and fun
But not without some darkness
Stellar shared vocals

Orchard by Jess Hill
Incredible voice
Beautiful and haunting songs
Mesmerizing folk

Michigan Left by Arkells
A bit more polished
But still more fun rock and roll
A strong follow-up

The Whole Love by Wilco
More adventurous
Bookended with two great songs
Their best in a while

Let's All March Back Into The Sea by The Liptonians
Cacophonous sound
A whole host of instruments
And clever lyrics

Summer of Lust by Library Voices
Energetic songs
Sharp, intelligent lyrics
Pop at its finest

No Bad Days by Wide Mouth Mason
Six years since their last
New bassist Gordie Johnson
Haven't missed a step

We're All Friends & Lovers Until It Falls Apart EP by Redbird
Strong, lovely voice
Coupled with great songwriting
Wonderful debut

Seeds by Hey Rosetta!
Heartbreaking lyrics
Symphonic and grandiose
Complex yet catchy

We're All Dying To Live by Rich Aucoin
Highly ambitious
Perfect, cinematic flow
Brilliantly unique

Apocalyptic Radio Cynic by Sidney York
Insanely catchy
Clever, sexy, sometimes dark
Power-pop with depth

Temporary Resident by Imaginary Cities
Take one stellar voice
One stupendeous musician
For near perfect pop

Kaputt by Destroyer
Rich, dense, and jazz-y
Lyrically ambiguous
Very beautiful

Oh Fortune by Dan Mangan
Darker and more dense
Rich music, poignant lyrics
Exponential growth

Take Care, Take Care, Take Care by Explosions in the Sky
Crashing crescendos
Breathtaking rises and falls
Far beyond "epic"

High School EP by We Are The City
More going on here
Than most have in a full length
Nearly perfection

Degeneration Street by The Dears
All-star Dears line-up
From the brink of destruction
Better than ever

Lights of Endangered Species by Matthew Good
Full of emotion
Amazingly orchestral
A career highlight

Shows of October

Well, I did this last month, so let's try it again, shall we? Here are some of the shows I am excited about in the month of October. It's a pretty stacked month, with lots of great shows announced so far (with a few conflicting ones, too).

Big Sugar with Wide Mouth Mason at the Commodore on October 21st & 22nd.
Top of the list would have to be this show, no question. I was at the Commodore eight years ago for what was, at the time, Big Sugar's final Vancouver show and it was phenomenal. I was thrilled when they got back together, and when they announced Wide Mouth Mason -- who Gordie Johnson now plays bass with -- would be opening? well, their show at the Yale in January has probably been one of my favourite shows of the year, so that's just extra added awesome.

Chad VanGaalen at the Rio Theatre on October 15th
Even though Pop Okanagan is happening this same weekend, I am pretty sure seeing CVG live trumps an entire festival. It will be two years to the day (and, in fact, at the same venue) since I last saw him, which is far too long. (Accompanied video not mine, was taken from the last show, with Julie Fader on keys)

Kathryn Calder at the Biltmore on October 27th
Even though I've seen her a couple times this year, Calder is always incredible live. Her new album is out soon, and I am very much looking forward to seeing her live again.

Dominique Fricot with Sidney York at the Electric Owl on October 14th
Ten and a half months. That's all it took between seeing him at One Night Stand and finally seeing him perform his own material. Which is inexcusable. And of course, there's Sidney. The only time I've seen her was at a venue with sub-par sound, so I am very excited to see her somewhere that will sound good.

And the conflicts? That lies with the aforementioned Big Sugar/WMM show as well as:
Sidney York with The Ruffled Feathers & The Belle Game at the Railway on October 20th.
Zeus at the Biltmore on October 21st
The Zolas & The Liptonians on October 20th at the Electric Owl and October 24nd at St James Hall
So. There's all that. Zeus is a fantastic live band who haven't been here since the (incredible) Bonfire Ball tour. The Liptonians blew me away live earlier this year, and pairing them with The Zolas is perfect. And the show at the Railway has just an excellent lineup. There could be a way to see all the shows, but it might be tough!

Oh, and there's the last Peak Performance Project showcase with Maurice, Lindsay Bryan, 41st & Home and Rococode on the 6th at the Red Room well as Danny Michel with Jody Glenham at the Biltmore on the 13th, which should be fun, and of course, the Foo Fighters at Rogers Arena on the 25th. But as much as I love the Foos, and as great a live show as they put on, I have a feeling I won't be able to make this show unless I somehow get press, or win tickets...

Whew. That's a lot of shows.