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Mae Martin @ Vogue Theatre -- June 13, 2025

June 14, 2025 by Kirk Hamilton in live shows, Show Review

You might know Mae Martin from their comedy career, the show Feel Good, the podcast Handsome, or even their appearance on Taskmaster. But earlier this year, Martin went back to a teenage love and released their first album I’m a TV, and the latest leg of the tour wrapped up with a show at the Vogue Theatre in Vancouver.

Opening the night was Vancouver’s own Ashleigh Ball, out on stage with just Dallas Bud backing her on guitar. Her signature flute in hand, she opened the set with “Tried to Tell You” before a couple new songs, the smooth “3am” and “Rosemary”, introduced with a story about the inspiration behind the song — a person she met at a silent retreat who did not quite understand the ‘silent’ part.
Throughout the set, Ball told storied behind some of the songs, including they Hey Ocean! tune “To The Sea” and the wild party that inspired the gorgeous & trippy song “Lavender” that capped off the set.

Not long after, Mae Martin took the stage, backed by Jason Couse and Wes Marskell (otherwise known as The Darcys, who also produced Mae’s album). They immediately launched in to “Big Bear”, Mae shredding on guitar, focusing on the album for the first half of the set, with songs like “Garbage Strike”, about the Toronto blackout of ‘03, and the breezy “Try Me”.

Mae was quick to tell the crowd how happy they were to be on stage, and how much of a dream come true it was. Throughout the set, Mae chatted & introduced songs with their slight awkward charm, and even the couple (small) flubs through the set were easy to overlook with their sheer enthusiasm radiating through the room.

Part way through the set, Jason and Wes took a break for Mae to grab a stool centre stage and dive into a few acoustic covers; a pair of Elliott Smith songs, as well as Half Moon Run, and a Third Eye Blind deep cut — accompanied by a story of Mae being starstruck when recently meeting singer Stephan Jenkins. Jason was back out to join on vocals for “People Get Back Up” before Wes returned as well, as Mae joked they wanted a bit more ‘millennial nostalgia’ with a cover of David Gray’s Babylon, which segued into the Third Eye Blind classic “How’s It Going to Be”.

After teasing a new song out later this month and the slow burn “No Cowboy”, Martin decided they didn’t want the night to end just yet. So they threw one one more song before the finish, another new one called “Kodak Film”, double checking if Jason and Wes knew it (they did not, but picked up on it so quick that if they hadn’t had that aside, I never would have known).

And finally, they wrapped up the set with “Brought Me Round”, Mae and the boys going all out for the finish to end the night, not bothering with the whole encore schtick (which I always appreciate).

I was really not sure what to expect from the show, but Mae’s enthusiasm & stage presence, combined with their heartfelt songs, and Jason & Wes backing them up made for a very fun night, with Ashleigh Ball opening being the proverbial cherry on top.

setlist
Big Bear
Stowaway
I Love You So Much
Try Me
Quiet Street
Garbage Strike
Pitseleh [Elliott Smith cover]
Unofferable [Half Moon Run cover]
Motorcycle Drive By [Third Eye Blind cover]
Pretty Mary K [Elliott Smith cover]
People Get Back Up
Babylon [David Gray cover]
How’s It Going to Be [Third Eye Blind cover]
Recent Hit
No Cowboy
Good Dream
Kodak Film
Brought Me Round

June 14, 2025 /Kirk Hamilton
mae martin, the darcys, ashleigh ball, vogue theatre
live shows, Show Review
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Art d'Ecco @ Fox Cabaret -- June 12, 2025

June 13, 2025 by Kirk Hamilton in live shows, Show Review

Earlier this year, Art d’Ecco dropped his latest album, Serene Demon, and since I (regretfully) missed the release show in Vancouver back in January, I was glad to catch him on his current tour as he hit the Fox Cabaret.

Unfortunately I got there after opener Dour, arriving not long before Art d’Ecco and his Demon Band hit the stage, all clad in black jackets (only half of which were leather), which included Evan Miller on guitar, Olivier Leclerc on bass, Malcolm Holt on drums, Hayden C on keys, and Kyler Young on saxophone.

They started off the set with the lead track on the album, the seductive “True Believer” then the sax-laden disco groove of “Tree Of Life”, and from there weaving through his catalogue of glam-pop tunes. Highlights included the dark, anthemic “TV God”, going back to his tresspasser album for “Who Is It Now?”, and the catchiest song about not joining a sex cult, “Palm Slave”.

Art stopped to chat with the audience a few times through the set, but mostly let his charisma do the talking. He strut and danced around stage with an effortless swagger, almost never still for more than a moment.

The set flew by as it seemed like no time at all before he closed out with a one-two punch of bangers; “Head Rush” and the band going all out for “Dark Days (Revisited)”. But of course he was back out for more, first with a cover of “Live It Up” by The Isley Brothers, and wrapping up the set with a “Midlife Crisis”.

It had been a minute since the last time I saw Art d’Ecco live (six years ago at Constellation festival!) so I was glad to have caught him at the Fox last night for a fun show!

setlist
True Believer
Tree Of Life
Only Ones
TV God
Survival Of The Fittest
I Feel Alive
Who Is It Now?
Sad Light Disco
Palm Slave
Head Rush
Dark Days (Revisited)
(encore)
Live It Up [The Isley Brothers cover]
Midlife Crisis

June 13, 2025 /Kirk Hamilton
Art d'Ecco, fox cabaret
live shows, Show Review
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PHOTOS: The Darcys, The Blue Stones @ Vogue Theatre - June 06, 2025

June 09, 2025 by Christine McAvoy in Weekly Photo Roundup, Live Music Photography, live shows

The Darcys, The Blue Stones
Vogue Theatre
June 06, 2025

Photos by Christine McAvoy

June 09, 2025 /Christine McAvoy
the darcys, the blue stones, christine mcavoy photography
Weekly Photo Roundup, Live Music Photography, live shows
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Rilo Kiley @ Commodore Ballroom -- May 21, 2025

May 22, 2025 by Kirk Hamilton in live shows, Show Review

Whenever the question of ‘bands you wish you could have seen live’ comes up, my immediate answer was always Rilo Kiley. Not only had I missed seeing them before they broke up, I’ve also somehow never seen any of Jenny Lewis’ solo projects (to my shame). So when the Los Angeles group announced their reunion last year for the Sometimes When You’re On You’re Really Fucking On tour, which included a show at the Commodore Ballroom, I was just a little excited.

Unfortunately due to prior commitments, I missed the opener Morgan Nagler, arriving to the sold out Commodore not long before Rilo Kiley hit the stage. Jenny Lewis, Blake Sennett, Pierre de Reeder, and Jason Boesel were joined by Harrison Whitford as they kicked off the set to raucous ovation with “The Execution of All Things” and from there spanned all of their albums.

From “Wires and Waves” off their debut Take Offs and Landings, to “Spectacular Views” building to a chaotic finish, and the slinky slow jam “The Moneymaker” from Under the Blacklight, their infectious indie rock full of intricate narratives blasted through the room. Jenny’s voice soared on “I Never”, while Blake took over lead vocals on “Ripchord”, as the band rocked out on songs like “It’s a Hit” (featuring guest trumpet from Orenda Fink) and the heartbreakingly beautiful “Does He Love You?”, Jenny accepted flowers from the front of the stage before the song erupted into a grand finish.

Collectively waiting for this moment for fifteen years, the crowd was locked in all night. People wildly cheered when recognising a song from a single note, I saw lots of hugging & crying around me, with tons of singing along as well; the best example being “With Arms Outstretched” as Lewis handed over the chorus to the audience. I could almost believe them when they gave the standard “this crowd is the best of the tour so far!”

After more singing to “A Better Son/Daughter” — which included the tour’s namesake lyrics — the room somehow came more unglued for “Portions for Foxes”. A favourite of mine (and many others judging by the volume of the punctuating “come here!” in the song) it was incredible to finally see live, as chills crept across my arms and a smile across my face.

That finished off the main set, but with the lights down and interstitial music playing, the band was back soon enough, starting off the encore with the heart wrenching “A Man/Me/Then Jim” once again featuring Fink on trumpet. Morgan Nadler made a quick cameo to provide some dance instructions to “The Frug”, and finally the band sent everyone home with “Pictures of Success”.

Going into a show like this, it’s easy to worry a little. Was I building this up in my head too much? Is this just a cash grab reunion? Questions like that. Thankfully, those were quickly answered with a show that felt simultaneously nostalgic and timeless, Rilo Kiley on top of their game and a crowd hungry for every note. I’m not sure if they have any more planned after the tour (beyond the greatest hits album they have out soon) but if it was just a one off and that was it, it was a hit.

setlist
The Execution of All Things
Wires and Waves
Spectacular Views
The Moneymaker
Dreamworld
I Never
Close Call
Paint’s Peeling
It's a Hit
Does He Love You?
Ripchord
Silver Lining
With Arms Outstretched
A Better Son/Daughter
Portions for Foxes
(encore)
A Man/Me/Then Jim
The Frug
Pictures of Success

May 22, 2025 /Kirk Hamilton
rilo kiley, commodore ballroom
live shows, Show Review
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PHOTOS: Shred Kelly @ Fox Cabaret - May 09, 2025

May 15, 2025 by Christine McAvoy in Live Music Photography, Weekly Photo Roundup

Shred Kelly
Fox Cabaret
May 09, 2025

See Kirk’s review by clicking here.

Photos by Christine McAvoy

May 15, 2025 /Christine McAvoy
shred kelly, fox cabaret, live music photography
Live Music Photography, Weekly Photo Roundup
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