Favourite Albums. Part One. Beautiful Midnight.

Taking a break from my usual "recent concert/album review/haiku" format, I think I am going to do something special. Earlier this evening, I saw the following on the twitters:
@melanieshim Power, Corruption & Lies by New Order=definitely one of my favourite records of all time...and my favourite track is: http://ow.ly/1G6gW
Which lead me to ask, what are your favourite albums of all time?
I posted my list, but then some of the resulting tweets got me thinking of it more, and why I picked these specific albums. I was first going to do a spontaneous post involving all six albums I picked, but then I started writing what is below, and realized that I would ramble on way too long for one post... so I am going to make it a six part series. I will probably just do one daily a week biweekly, ah, who am I kidding, it'll end up being whenever I feel like it. Probably at random intervals through my regularly scheduled programming.
I am not, however, going to "review" them like I normally do, but probably just ramble on for a few minutes. So here is part one of a six part series cleverly titled: Some of Kirk's Favourite Albums.

Beautiful Midnight by Matthew Good.
This shouldn't be a surprise for anyone. Matthew Good is my favourite musician, and I hold this album to be one of the most perfect made. It was also the first MGB album I purchased. I had been a fan since I first heard them on Fox Seeds, but back then I never really bought albums -- and when I did, it was always albums that I knew I would like; I didn't take chances. But by the time "Hello, Time Bomb" came out, I figured I liked enough of his songs, and I was starting to be more adventurous in buying music, so I picked up the album. (Oddly enough, in a way, I consider this one of the first albums I bought, since it was the first one I bought with this carefree & reckless mentality).

But the sentimentality is only a portion of why I like it. There is also, of course, the music. Are there better Matthew Good [Band] songs? Absolutely. But Beautiful Midnight has one thing that I look for in albums. The thing that, to me, will make a good album great and a great album, well, Beautiful Midnight. And that is the flow. From the opener, "Giant" -- which is, over ten years later, still one of the best opening songs to any album -- to "Born To Kill" and "Running For Home" -- which is the perfect pair of songs to close an album -- it peaks and dips, ebbs and flows near perfectly. You can almost graph or chart the mood, intensity and emotion, and this is the album whose flow I try and mimic when I make "mixtapes". (I don't know if that is going to make sense to anyone that is not in my brain, but whatever). It goes from the epic start of "Giant", ramps it up with "Hello, Time Bomb", but it doesn't blow its load too fast, as it slows with "Strange Days" (which, incidentally, has one of my favourite music videos ever). And from there, it just flows to perfection.
(Not to say other MG[B] albums don't have this, but this is the quintessential example)

And the emotion. There are songs that upon first listen, just ooze with raw emotion and intensity, that you can't help but connect with. Then there are songs that, when you find out the true story behind them, will absolutely crush your heart and soul.
Listen to "Jenni's Song".
Then read The Night Opus -- either in his book or, conveniently, on his blog -- which is based on a true story.
Then listen to it again, and this time, really listen to it.

If the whole album can be plotted, then "Born To Kill" is definitely the climax. It starts out slow and calm, but then -- with orchestral accompaniment -- builds and builds to a frenzy, drains you emotionally, then just when you think you can't take anymore... it stops dead. Weird as it may sounds, I've always pictured this song as the soundtrack to going mad, just completely losing it.
And then finally, "Running For Home". If "Born To Kill" is the climax, "Running For Home" is the denouement. After the intensity of "Born To Kill", it ends with a soft piano and hauntingly beautiful vocals. As far as I can remember, I have been a sucker for piano in songs, and I think this song is a strong reason why. For a time, it even made me want to learn the piano (or at the very least, the keyboard).

And that's so say nothing about the songs in between. "Suburbia". "A Boy And His Machine Gun". "Failing The Rorschach Test". Again, there are individual songs I like better, but each and every song on this album serves a purpose.

I admit, my views on this album were not immediate. I liked it right away, of course, but it wasn't until I got a little more into music that I appreciated it even more. So much so that, to this day, it remains one of my favourite albums. Heck, probably my single favourite album.



Download Suburbia

Download Jenni's Song

Download Born to Kill

Download Running For Home

Clicky to exchange monies for music

Review-kus.

My goal is to review every album I bought (or otherwise listened to) this year. But there are just so darn many albums, and sometimes I just don't feel like writing a full reviews. So to combat this, I have decided that I shall give a few really quick reviews all at once... in haiku form. Here we go!

Dark Eyes by Fanshaw
Intriguing lyrics
And interesting arrangements
The star is her voice

Download O Sailor by Fanshaw

Yukon Blonde by Yukon Blonde
Clear influences
But never derivative
Catchy power pop

Download Brides Song by Yukon Blonde

Bear Bones EP by Said The Whale
Five acoustic songs
Recorded in Ben's bedroom
Yields awesome results

Download The Fish and The Stars by Said The Whale

Say Us by Zeus

A couple years ago, I went to see Jason Collett at Richard's. Due to the poor planning (on their part) and a curfew, I thought I was getting there early, but actually caught the last couple songs of the bands set, in an almost-empty room. They came back later as Collett's backing band, and Jason was nice enough to let them play another one of their songs in the middle of the set, for those who missed them. They were also the band that opened for, and backed up, Collett when he was back a couple months later as kind of a make-up show. That time I caught the whole set, and while I was interested in them the first time, this time I was won over. And then when Metric came through town, I was excited enough, but when they added this band as their opener, I was thrilled. Who am I talking about? Zeus, of course. After a fantastic teaser EP last year, they released their first full length this year, Say Us. A few times I've been burned by bands with great EPs, but mediocre full lengths -- mostly the same amount of good songs, spread out over twice as long -- and while I wasn't really worried, since I had heard some of it live, it was still in the back of my mind.

The album sets the stage with, "How Does It Feel?", a holdover from the EP which gives you a hint of the catchiness that will pop up in the next 40 minutes or so. "Fever Of The Time" is a bit more mellow, but not without a subdued energy, and then one of my favourites, "Kindergarten", builds to a fantastic finale. It is perhaps the best proof that "[they] got fire within [them]", along with the next track, "The Renegade" and its climb to a great ending. "Greater Times On The Wayside" is a short track that almost leads perfectly into "The River By The Garden", which has an upbeat mood that belies its darker lyrics (that remind me a little of Where The Wild Roses Grow). After that, "You Gotta' Teller" ramps up the energy with distortion and fuzz, and is probably the most intense on the album. "I Know" and "Marching Through Your Head" are another couple from the EP, with the latter being fantastically catchy (an apt title, too, since that is what the song will be doing). "The Sound Of You" brings the tempo down, if only for a moment, when "Heavy On Me" starts with an energy and intensity that keeps boiling just under the surface, breaking through every so often only to be contained again, before letting loose at the end. The album closes with the piano-heavy "At The Risk Of Repeating", which is a nice way to close the album.

One great thing about Zeus is the fluidity of the band. With the exception of drummer Rob Drake, the members Mike O'Brien, Carlin Nicholson & Neil Quin all trade off instruments and lead vocals throughout the album. But there is never a jarring shift; the songs all blend together so seamlessly that you might not even notice. It's rather Sloan-esque, showing off how multi-talented the whole band is, and is especially cool when seeing them live. Needless to say, my worries were for nought, as the album more than matches the awesomeness of the EP. It is undeniable contagious and infinitely re-listenable, and will no doubt be remembered by the time the year-end best-of lists roll around.


Download Kindergarten

Download The River By The Garden

Download Heavy On Me

Clicky to exchange monies for music

We Are The City w/ Library Voices @ Five Sixty -- 04/10/10

Before I get to the show itself, I'm gonna talk briefly about the venue, Five Sixty, which is the new club on Seymour, replacing Richard's on Richards. It was my first time being there, and I think their first live show, as it was billed the "Independent Music Launch Party". The layout of the place was kinda odd; the main area was just one big room, with the stage at the front (durr) and a bar, DJ, etc on the side. I can see this being problematic, as if you're not right at the front, you could have a hard time seeing the band, especially because the stage isn't very high up (and especially for short people). There was a balcony for the upper level at the back, but it didn't really look like you'd get a good view from the stage up there either. The strangest part is downstairs, as it's just a large unisex bathroom, with individual rooms for the stalls, and only a small divider-wall separating it from a lounging area with seats. The coat check is also down there, which is odd since it is about the furthest possible place from the entrance...
But the most important part is how the place sounds, and it was pretty damn awesome. Overall, aside from the somewhat bizarre layout, I quite liked it. I mean, it's no Richard's, but then again, what would be?

On to the music now! The show started at 8 sharp, as I guess they had a curfew and wanted to open it for a club night after. I had heard a couple Library Voices songs on R3 prior to the show, but aside from that (and rave reviews from others), I didn't know much about the band, and was intrigued to see them live. I certainly didn't expect them to pack the stage with 8 members (good thing the place has a large stage), nor did I expect them to blow me away as much as they did. There are some bands with as many members that end up just stepping all over themselves, but everything came together for a rich sound. With an insane energy and incredibly catchy songs, they played for about 40 minutes and I have no doubt they won over each and every member of the crowd. The two songs I recognized, "Drinking Games" and "Step Off The Map & Float" were fantastic, and I was impressed enough by the rest to pick up their new album -- which doesn't actually come out until this week, but luckily they had some for sale at the back. For the last song, lead singer jumped off the stage and sang the whole thing wandering through the crowd, jumping up on the bar at the back, then making his way back, all while the rest of the band played on. And as if they needed any more reasons for me to love them, at least one of their songs featured a theremin! (I am a sucker for any band that uses a theremin)
Their "tagline" (for lack of a better word) is "Pop as Fuck!" and I couldn't have put it better myself.

The stage was cleared in what must've been record time, and promptly at 9 We Are The City hit the stage for their first headlining show in Vancouver. With less than half as many member as Library Voices, the stage almost looked sparse, but no less rocking. This is my fourth time seeing them (in as many months, no less), and they just keep getting better each time. They seem much looser and more confident (though, not like they didn't have confidence in spades before), and they were playing with their songs more, too. A few songs had extended intros & outros, or just some additions in them.
The set kicked off with the first three songs off In A Quiet World, with "There Are Very Tiny Beasts in the Ground" getting everyone into it, clapping along, then one of my favourites, "Peso Loving Squid", before a new song, which started off calm and then build to a pretty powerful ending. I didn't catch the name of it, but I really liked it. "Time, Wasted" was great (and I finally got a good picture of David and his mouth-guitar-ing), and was one of the songs with a cool extended ending. There was a funny moment in "There Are Very, Very Big Lights in the Sky", as the song pauses before going on... at which point Cayne & Andy needed quick refreshment, and they went on to talk about being ripped off for pizza... before launching back into the song. Some bands either have no banter, or it just seems forced, but WATC seems natural; almost as if they don't even notice the crowd and are just trying to make each other laugh... which works a lot better than forcing it. After another new song -- I didn't catch the name of this one, either, but I am going to guess "Morning Song" based on the lyrics -- they ended the set, as usual, with "Astronomers" (the starry projection on the side was was quite fitting) and this, too, had an extended ending, which saw the band just going crazy, for an awesome way to close both the song and the set.
They came back out for a quick encore, sheepishly admitting they didn't have many more songs. After some prompting, from both the crowd and Andy & David, Cayne did his "spot on" Gandalf impression, before they finally ended the night with an older song, which, yet again, I didn't catch the name of.

It seems like I've had good luck this year, seeing shows where two (or more) awesome bands are playing together, and this just continued that trend. A great pair of bands for the first show at the Five Sixty (I am still not sure if I like that name or not...), which turned out to be a pretty damn good venue. I just hope they can keep up the quality shows.

setlist:
Intro, Feel is a Word, There Are Very Tiny Beasts in the Ground, Peso Loving Squid, [new song], April, Time Wasted, There Are Very Very Big Lights in the Sky, [new song], Astronomers.
(encore) [old song]

Review-kus.

My goal is to review every album I bought/otherwise listened to this year. But there are just so darn many albums, and sometimes I just don't feel like writing a full reviews. So to combat this, I have decided that I shall give a few really quick reviews all at once.... in haiku form. Here we go!

Heartland by Owen Pallett (formerly known as Final Fantasy)
Majestic and rich
An epic tale of Lewis
His finest to date

Download E is for Estranged by Owen Pallett

Heart of my Own by Basia Bulat
Much as expected
Some great versatility
A beautiful voice

Download Walk You Down by Basia Bulat

Henry & The Nightcrawlers (EP) by Henry & The Nightcrawlers ("Henry" being Henry Alcock-White of Bend Sinister)
A few catchy tunes
Nice teaser for the full length
Hopefully out soon

Download 100 Blows by Henry & The Nightcrawlers