ShoreFest: Steph Macpherson & Sumner Brothers @ Kits Beach -- 08/06/11

The last night of the Symphony of Fire Celebration of Lights also means the last night of the Shore104's annual ShoreFest. Aside from their usual stage at English Bay, this year they also had one in Vanier Park and one at Kits Beach -- spotlighting the Song Search top 10. And yesterday, not only were the last three of the top ten playing, they would also be announcing the winner of the competition.

But first, The Sumner Brothers were up, who were one of the bands I was pulling for in the Song Search. It was just the two brothers, Bob and Brian up on stage with a more stripped down set, and I am not sure if it was that, but the set seemed a bit more low key than the last few times I had seem them. It could have also been they were playing a few slow, sombre songs about death on the beach on a crisp sunny afternoon. But they picked up steam again at the end of the set, with a cover of a Stompin' Tom song, "Luke's Guitar", and a traditional song that is a staple of their show, "Pay Me My Money Down". I still enjoyed their set, but perhaps they're just better suited to venues where the whiskey flows.

Next up was another of my favourite in the top ten, Steph Macpherson. She had a backing band full of familiar faces -- Mike Edel, Shaun Huberts & Jason Cook -- making sure the stage was full of top notch musicians. She kicked off with "Best Of Us" and played a few off her EP To You, as well as a couple new songs.
Even though the sound mix was a little off, it was quite a good set, with highlights being "Something In You" and one of the new ones that I didn't happen catch the name of. Her set wrapped up with the song that, had I any say in the matter, would have been the winner of the Song Search, "Summer Salute", getting some of the gathering crowd on the beach clapping along.

The final band before the announcement of the winner was Freeflow, who had more of a reggae-ish feel to them. They had a pretty decent energy -- especially the guitarist who broke multiple strings throughout the set -- but their songs were lacking in variation and sounded quite similar to each other; even the few covers they threw in throughout the set -- "My Girl" by The Temptations, The Police's "So Lonely", ABC by the Jackson 5.

At then it was time for the announcement, after playing a medley of all the songs in contention, the golden guitar was awarded to Randy Ponzio of Quest Poetics. Which... well, let's just say I respectfully disagree with that outcome.
(Attempting to link to the YouTube video he uploaded for the contest gives a private video error, so... yeah.)

The Sumner Brothers w/ Portage & Main @ The Cobalt -- 06/16/11

On the eve of a tour that sees them heading south to California, The Sumner Brothers gathered a few friends to kick things off at The Cobalt. Surprisingly, it was my first time at the venue (or maybe not, since they used to be known more for punk), but I quite liked it. It had... character, but also great sight lines and pretty good sound.

First up was Rolla Olak, who took the stage alone. He has a folky-blues sound, which set the tone for the night. His songs were good, and well written, but nothing that really jumped out to grab you, but still Perfectly Acceptable Music that was definitely enjoyable. 

Though while the music was good, there wasn't much in terms of stage presence. He was just up there playing, not very much crowd interaction, or banter; he didn't even say who he was at any point during the set. There was, though, an offhand mention of having a full band, and I would be interested to see that. He was okay on his own, but I can see the songs sounding a lot better with a full band to round them out.

Next up was Steve Brockley, who had more of a country edge, with a bit of a bluesgrass feel as well. Their set was mostly a slower tempo, but there were a few songs that were a bit more driven, and the band definitely sounded better when they had more energy. The highlight of the set was the closing song, which was a perfect example of that, exploding into an all out a frantic ending.

Their songs were all pretty catchy, but more than a couple of them seemed a little familiar -- not like they were ripping anyone off, but you could clearly tell a few influences. Like Olak, they were enjoyable to watch, but nothing really spectacular. 

Hitting the stage third was The Sumner Brothers. I've seen them a couple times now, and the one thing that always strikes me is their intensity. There were songs where Brian Sumner was singing through grit teeth, and the whole band just oozes energy on stage. In fact, this time they seemed to be even more energetic and intense than previously. They had a bit of what can only be described as death country (I could see them opening up for Elliott BROOD no problem), with the two brothers, Bob and Brian trading off vocals for some insanely catchy and toe-tapping songs.

As well as their own, they threw in their usual cover of Neil Young's “Hey Hey My My (Into the Black)”, and while the set almost ended on a bit of a sadder song, they spontaneously decided to add one more, their own high energy version of the traditional “Pay Me My Money Down”. Probably the best set I've seen from the band, and a great kickoff to their tour.

It was almost 1am by the time they hit the stage, but there was still a decent size crowd for Portage & Main, capping off the night. They had just returned home from a short western tour, and within the first two songs, I could tell how much they improved over that time. Tight and energetic, with more confidence than the last couple times I'd seen them live; more comfortable on stage and with each other. And with the crowd, too, as they seemed to have a bit more banter and joking around. Even when the “Curse of the Capo”, as they called it, hit during “Rocky Mountain Wanderer” -- the capo popped off John's guitar -- they didn't let it slow them down.

They hit most of the songs off their self-titled debut, from barnburners like “What Have I Done” and Tonight pt 2” to the more slower, softer “Song For My Mom”, and even a cover of Rolling Stones' “Dead Flowers”. They capped off the night with one of my favourites from the album, the building energy of “ I'd Never Climbed a Mountain” and then “Carolina”, which is destined to be a great bar room sing-a-long song.

It was a really good show, overall, with all the bands complimenting each other quite well. Especially Portage & Main and The Sumner Brothers (who I had seen play together once before).

setlist

Nothing (Take What You Need), What Have I Done, Rocky Mountain Wanderer, Song For My Mom, Dead Flowers [Rolling Stones cover], Tonight pt. 2, Follow Me My Love, I'd Never Climbed a Mountain, Carolina.

Portage & Main CD Release @ Anza Club -- 03/18/11

Last night was the much anticipated CD release show for Vancouver's Portage & Main. So anticipated, that the Anza club ended out being sold out by the end of the night. And rightfully so, as it was a pretty good lineup of Vancouver talent.

Adrian Glynn was first for the night, hitting stage alone with his guitar -- though for a couple songs he added a harmonica or a kick drum. He seemed really comfortable on stage, with a good presence; mostly because you could see the emotion put into his heartfelt folk songs. And even though a few of them sounded a bit similar, it was quite an enjoyable set. It came to a close with some audience-assisted stomp/clapping in a song, but by the end of the set the din of the crowd was getting a little loud. I think last time I saw Glynn, it was also with a noisy crowds, so I wouldn't mind catching him live again, where people are a bit quieter.

Sumner Bros were next up. I had seen them a couple weeks back at the Railway and enjoyed the set, and last night was no different. Well, except for the sound. It was a bit off at the beginning of the set, but after a few songs it seemed to be quite a bit better. Aside from that, the set was pretty similar, with their cover of Neil Young's "Hey Hey, My My (Into the Black)" the traditional "Pay Me My Money Down", and their own catchy, blues influenced songs. They were pretty lively and energetic, and definitely worth seeing again.

And finally was Portage & Main. Had I not known, I never would have guessed this was their first show. True, John Sponarski and Harold Donnelly, who share vocals and guitar duties, have been playing in bands and with each other for years, but for the first show as this incarnation; and they were incredibly tight and firing on all cylinders. Their sound was very folk- and roots-rock influenced, and they played their new self titled album front to back.
Savannah of Redbird (a band that John also plays with) was out for backup vocals on "The Morning After", and other highlists included the infectious "What Have I Done", the incredibly energetic "Tonight pt. 2", and the slow build of "I'd Never Climbed A Mountain", that "ended" the set. But they were back out, with Savannah joining them again, for the album closer "Carolina", another high energy song and a great way to end the night.

In all, a pretty great night of music, and an impressive debut from Portage & Main. I already can't wait to see them live again.

United Steel Workers of Montreal with Redbird & The Sumner Brothers @ Railway -- 02/22/11

I don't know why, maybe it's by design (in fact, it probably is) but the Railway Club always seems to have a lot of great folk, roots rock, or alt country acts. Last night was a trio of bands that would definitely fit into that.

First up was The Sumner Brothers, and they started their set in a most excellent way, proclaiming "This song is about a giant" before getting right into it. They had a very folk, almost bluesy sound as the titular brothers shared vocal duties, which both contrasted and complimented each other. Both deep, one more smooth and one with a gritty rumble, but full of emotion; one of the brothers was singing through clenched teeth a couple times. He also changed instruments a few times, going from guitar to keys to banjo to soprano sax.
As well as their own songs, they covered Neil Young's "Hey Hey My My (Into The Black)" and did a pretty good job of it, and ended with the  traditional song "Pay Me My Money Down".
They put on quite an entertaining show, and I would be interested in checking them out again.

Next up was Redbird, who I was quite looking forward to seeing. It would be my first time seeing them play a full band show since August, and thus my first time seeing the current lineup in full; who meshed very well together, despite being fairly new. Since that August show, I had seen and heard some acoustic songs, so it was interesting to see those same songs with the full band feel to them. The set started off with "Oh Please My Heart", which is one of the songs I knew acoustically. When the full band kicked in on it, I knew they would make the songs stronger than they already were.
Another song that I was more used to acoustic -- and one of my favourites of the songs I had heard -- was "No Game", and I was a little surprised by how much of a rocker it ended up being. But pleasantly so, as it worked very well. Definitely made me more excited for the upcoming EP.
There were, however, some technical problems with the set -- for a couple songs, Savannah's mic seemed low, and her vocals were drowned out a little, but it wasn't a persistent issue (at least not during Redbird's set) and not terribly noticeable or anything.
I've always liked the roots rock, as well as being a sucker for strong voices like Savannah's, and so the more I see Redbird, the more I am enjoying them. I am certainly looking forward to the next time I will be able to see them live (whenever that might be)

And finally was the United Steel Workers of Montreal. I had heard a lot of good things about them, so was quite intrigued. They hit the stage six people strong, and I immediately noticed there was no drummer -- just guitars, stand up bass, banjo, mandolin and accordion. The launched right into it, and pretty much set the tone for the rest of the night when they broke a string during the first song. And not only that, but they managed to joke and banter enough to keep the crowd entertained while the guitar was being restrung.
Despite being from Montreal (imagine that, a band who is actually from their namesake) they gave off more of a maritime, folk-alt-country feel, reminding me a little of the Tom Fun Orchestra, with the dual male/female vocals and raucous, fun sound. They put on a show that was just plain fun to watch, with the singer even going into the crowd and involving those in the front, from singing to/at them to getting them to shout to actually dancing with a guy. And of course, it was made that much better by the fact that the music itself was actually really good, very catchy.
The aforementioned mic problems reared up again, though, as Felicity Hamer seemed to be continually having issues with any mic she tried. But they didn't let that slow them down as they soldiered through their set.
The encore consisted of the incredibly powerful "Jesus We Sweat", and a slower song that they encouraged everyone to dance for, promising that any pair of people who did so would be getting laid that night.

Definitely a great trio of bands that, despite the technical difficulties, each put on a great show.