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Youngblood @ Blue Light Studio -- 08/25/18

August 27, 2018 by Kirk Hamilton in live shows

One of the most anticipated releases for the rest of the year is the upcoming EP from Youngblood, Fantasy Love. So naturally, I jumped at the chance to see the Vancouver quintet of Malcolm Holt, Bruce Ledingham, Louis Wu, Pascal LeVasseur, and, of course, Alexis Young playing the new album from front-to-back at a session at Vancouver’s Blue Light Studio. 

With the cozy studio packed with fans (and cameras filming for the Blue Light Sessions), they started off with the first single from the album, "Better When You’re Close", a sultry song that has been intermittently stuck in my head since they released it. Living up to their tagline of "what the 60's thought the future would sound like", the new album was full of dark, dreamy pop songs like the fittingly titled "Dark Place", and few other bands could transition as seamlessly from a song about falling in love with a stripper to one about getting high at the Harry Potter theme park. To round out the first half of the evening, Alexis -- inspired by the Kevin Drew Side Door show earlier in the week -- went over to the piano in the room for a nice cover of an old Stars song, "Tonight". 

After a brief intermission, they were back for a second set of songs from their previous album, Feel Alright. Starting with "Broken English" they included my favourite from that release, the steamy "Alone With You", and their fantastic cover of Bloc Party’s "Positive Tension". Even on a smaller stage (the "stage" being just a portion of the room, the band on the same level as the audience) Young had an undeniable and captivating stage presence, and connection to the audience. Sometimes literally, as with the last song of the night, "Easy Nothing" which saw her going into the crowd before the explosive finale.

Before the set ended, they promised Fantasy Love would be out real soon, that there would be some more news on the horizon, and they’ll be opening for Portugal. The Man and Broken Social Scene at Deer Lake Park this weekend(!). And especially after the preview of the new EP, I'm looking forward to finding out what's next. 

August 27, 2018 /Kirk Hamilton
blue light studio, youngblood
live shows
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Kevin Drew & Belle Game @ The China Cloud -- 08/23/18

August 24, 2018 by Kirk Hamilton in live shows

In 2015, Dan Mangan began a house concert network for artists on his label, Madic Records. In the three years since, that has evolved into Side Door, co-founded by Laura Simpson, meant to connect artists & show hosts for a "direct-to-audience gigging economy". 
They’ve put on hundreds of shows across the country and into the States, with the latest being an intimate, acoustic night with one of the founders of Broken Social Scene, Kevin Drew. And joining Kevin was Andrea Lo, Katrina Jones, and Adam Nanji from Belle Game as his backing band. This all came together for about 75 people at The China Cloud in Vancouver.

Kevin Drew started off chatting and joking with the crowd, setting a loose tone for the night as he started with "Broke Me Up" off his first solo album, then went back to a Broken Social gem, "Ibi Dreams Of Pavement (A Better Day)", as he deftly wove through his musical history, captivating every single person in the room. Definitely a pleasant surprise, as I wasn’t sure if he would just be playing from his solo albums or not. 

After a few more songs, including b-side "All My Friends Are Magazines", Drew let Belle Game take centre stage. They recounted their first meeting before going into "Spirit", a song Kevin provided backup vocals for. I've still never seen belle Game perform where I haven't been absolutely blown away by the power of Andrea's voice, and that was especially true in this smaller setting, as they played a couple more songs while Drew took a brief break from the stage. 
Kevin then returned, giving Andrea, Adam, and Katrina a short break, as he did an incredible acoustic rendition of one of my favourite songs, "It’s All Gonna Break" which was not only the highlight of the night, but the year so far. 

As the set wound to an end, he jumped on the piano side-stage to play "Good Sex", joking about how it was pretty much a re-write of "Lover’s Spit", which of course followed. At that point he poked a bit of fun at friend, sometimes-BSS member, and Stars singer Torquil Campbell... who hollered back from the crowd. Drew called him up and they bantered for a few minutes before launching into an impromptu song Torquil wrote (but never recorded) after the passing of his father. 
 
They ended the night with Drew talking about Gord Downie, and his experience co-writing songs off the Secret Path project, before he and Campbell sang "Here, Here and Here" for the perfect ending to a beautiful night.
 
Some of these songs I had only ever seen in venues ten times the size with three times as many people on stage, so seeing them in this setting was almost unreal. It wasn’t a "show" or a "concert" or a "gig", it was a group of friends gathering to share their love of music. 


setlist
Broke Me Up [KD]
Ibi Dreams Of Pavement (A Better Day) [BSS]
All My Friends Are Magazines [BSS]
Safety Bricks [KD]
Spirit [BG]
I Want Nothing [BG]
Oh I [BG]
It’s All Gonna Break [BSS]
Good Sex [KD]
Lover’s Spit [BSS]
A Song for Torquil’s Father [TC]
Here, Here and Here [Gord Downie cover]

August 24, 2018 /Kirk Hamilton
kevin drew, broken social scene, the belle game, torquil campbell, china cloud
live shows
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Vancouver Folk Music Festival @ Jericho Beach Park -- 07/13-15/18

July 16, 2018 by Kirk Hamilton in live shows

The 41st Annual Vancouver Folk Music Festival returned to the shores of Jericho Beach this weekend, with dozens of bands from all around the world, playing three days of workshops and concerts.

Instead of breaking it down by day like I've done previous years, I think I'll split the workshops and sets I only caught bits & pieces of, from the "full concerts" or solo sets.


First, the workshops, which are some of my favourite parts of the weekend. Seeing bands share the stage & occasionally collaborating on the fly is always fun, and more than a few times I've discovered someone new because I was at a workshop to see a different band.

Saturday I arrived just in time for Dirty Windshields, which as you may be able to guess by the name, was Grant Lawrence and friends. Grant introduced the show, which was less "workshop" and more "variety show", and then was out between each of the acts to read stories from his books. Musicians included Dustin Bentall & Kendel Carson, Dawn Pemberton, Little Miss Higgins, and Donovan Woods, and they each played a couple songs, with a focus on the road or travelling. I would have liked to see a little bit of collaboration, or interaction, from the artists, even just everyone out for a song at the end (a Smugglers song, perhaps?) but I also understand that would have been tough to coordinate for a one-off workshop like this, and with so much talent on stage, it was still very enjoyable. Especially when Little Miss Higgins got the crowd to sing along to "Bargain Shop Panties" which was... equal parts awkward and hilarious.

From there, I caught a little bit of Gord Grdina's Haram next, the large band playing kind of a world fusion jazz vibe. Gord went from playing guitar to kneeling at the front of the stage, facing the band, basically conducting everyone. After that I watched some of Small Glories, the duo of Cara Luft and JD Edwards. They were fun storytellers -- in song and with their banter -- with a bit of a country-twang.

After that was a whiskey-soaked workshop featuring Petunia & The Vipers and Little Miss Higgins. Both had an upbeat and rocking vibe, which complimented each other perfectly. They frequently jammed with each other, especially the rhythm section and trumpet, joining in on most of the songs.

The first workshop for me on Sunday was Carole Pope, Skye Wallace, and Wallis Bird. Or, it was supposed to be, but Pope was unable to make it to the festival in the morning. Because of this, Wallace and Wallis ended up trade off a few songs each, going back and forth. Skye played some of her folkier material, armed with her acoustic guitar, but with no less ferocity than normal, as seen in her new song "Swing Batter" about a woman who murdered her abusive husband with an axe.
Wallis confirmed the ‘rumour’ Skye heard about her ripping the strings off her guitar the previous day, and ended up doing the same after her first song before jumping on the piano, and later playing one of my favourites from the workshop, an amazing one called "Deep Reveal", looping just her voice and thumps on the microphone for percussion.
 There wasn’t too much musical interaction between the two (just some banter back and forth) until about with 10 minutes left, when they decided to do an impromptu song together, getting some requests from the crowd before settling on "Girls Just Want To Have Fun". I was already a big fan of Skye, and after the workshop I was sure to keep an eye (ear?) out for Wallis Bird in the future.

Following that was a workshop featuring Iskwé, Art Bergmann, Guy Davis, and Just Duets, but unfortunately I wasn’t close enough to the stage, so the quieter/stripped down/acoustic show was drowned out by some a nearby stage’s more bombastic sound. But while I didn’t catch much, but I did manage to hear a great rendition of "Soldier" by Iskwé, where many of the musicians on stage joined in, including some strings, for a beautiful version of the song.

Luckily, Iskwé was playing a workshop later that afternoon, with Quantum Tangle, which I made sure to see as my last thing on Sunday. Iskwé and the duo of Tiffany Ayalik and Grey Gritt mentioned being friends, but rarely having the chance to play or jam together, so both bands were quick to join in with the other, from the very first song where Ayalik provided some throat-singing for Iswke’s "Healers".
The name of the workshop was "Love is Love" which was fitting when Quantum Tangle played their song of the same name (after a brief demonstration on throat singing). Iskwé lead the crowd in a singalong for her song "The Unforgotten", and Quantum Tangle finished everything off with their single "Freeze, Melt, Boil".
It was probably the best and most "workshop-y" of the weekend, with nearly everyone on stage playing for all of the songs throughout, and the perfect way to end off Sunday, and the entire weekend.  


But of course, the weekend wasn’t all workshops. When it came to full concert sets, there were three people I most wanted to see: Neko Case, Iskwé, and Skye Wallace. I was fortunate enough that the timing worked out and was able to see all three, each on a different day.

Neko Case headlined the main stage on Friday night, hitting the stage on a windy night with the sun just dipping behind the mountains (at one point Case joked she forgot to start singing because of the view from the stage).
She focused mostly on the new album, Hell-On, starting with the soft opening to "Pitch and Honey" before it burst forth with energy, as she went through songs like the fierce "Bad Luck", the anthemic "Winnie", and perhaps my favourite from the new album, the heartbreaking "Halls of Sarah". Her incredible voice carried through the park, but I also wouldn't be surprised if it drifted across the Burrard Inlet as well.
Case also dipped back into her back catalogue, with "Hold On, Hold On" and the tempestuous "This Tornado Loves You", finally ending off the show with "Man", going out with a bang on the first night of the festival.

From the shade beside Stage 3 on Saturday, I caught the full set from Iskwé, who I hadn't seen perform live before so was looking forward to it.
The first thing I noticed was not only how animated and confident she was on stage, but how she played to the entire crowd; not just everyone sitting out front, but the people gathering at the sides as well.
Iskwé went through songs from her album The Fight Within, influenced by her Cree and Métis background, many of serious nature -- the powerful "Nobody Knows" about missing and murdered Indigenous women and "Safe" about the #MeToo movement, featuring just her & her guitarist. But even with the subject matter, the set never felt dour, thanks to the electro-pop vibe of the songs, and also her lighter demeanor while chatting between each.
After a fun cover of "You Oughta Know", she ended the set with "The Unforgotten", which featured a call-and-response in Ojibwe (I think) that she taught the crowd, meant to call in the spirits to come sing with us, and was given a well-deserved standing ovation at the end of the set.
I knew nothing else happening Saturday was going to top that, so that’s where I left for the day.

And finally, in the middle of the day on Sunday, in the least shady stage beneath the death sun, Skye Wallace played her own solo set. Joined by a full band this time, her set was more high energy than the workshop a couple hours earlier, playing some favourites, but also spotlighting some new songs from her upcoming album, which I am very much looking forward to if the songs were any indication; she seems to have turned the ‘rock’ and maybe even ‘punk’ dials up a little for the new stuff.
Familiar favourites included dark and haunting songs like "Rumbling Soul" and "Dead Things Part 2", her voice soaring for "Klondike", and the more raucous "Scarlet Fever" and "Blood Moon", an excellent one-two punch to finish off the set.
Skye told the story of her and her mother coming to the folk fest years earlier, leaving her very first EP around under trees -- "planting seeds" as her mom said -- so was very grateful to be finally playing the festival herself (with her mother in the audience, no less!).

 

All in all, it was another fun folk fest weekend (even if I did get a little crispy in the sun) and already looking forward to see who they bring in next year.

July 16, 2018 /Kirk Hamilton
vancouver folk music festival, grant lawrence, dustin bentall, kendel carson, dawn pemberton, little miss higging, donovan woods, gord grdina's haram, small glories, petunia & the vipers, skye wallace, wallis bird, iskwe, quantum tangle, neko case
live shows
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Stars @ Vogue Theatre -- 06/12/18

June 13, 2018 by Kirk Hamilton in live shows

Hot off their latest album There Is No Love In Fluorescent Light (plus two other recently-released singles) Stars started the second leg of their tour on the west coast, with a show at the Vogue here in Vancouver. Before the tour, they had been warning it may be the last time they're here in a long time, so I knew there was no way to miss it. 

I got to the Vogue a couple songs into the opener, Shamir. With a countertenor voice, his songs stretched over a variety of sounds, but still all felt connected. From shoegaze to fuzzy pop, early-00’s indie to beachy vibes, he effortlessly spanned genres with standouts like "Glass", which he introduced as about fake friends, and "Straight Boys" about, well, I’m sure you can figure that one out. He put on a strong set, and definitely made me want to check out his latest album, Resolution.

After some songs clearly curated by the band (including their pals The Dears) Stars hit the stage to some violin, asking the crowd to "come out with me tonight" as they launched right in to "Fluorescent Light" from the latest album. From there, the wound through over fifteen years of music, hitting at least one song off each major release.
From Amy Millan’s voice shining on "Alone" and "Ship to Shore" to Torquil Campbell’s vicious intensity in "Take Me To The Riot", the whole band’s energy and passion was apparent throughout the night. 

The group has previously joked that most of their songs are about love or death, and that was no more apparent that a two-song hit of the absolutely heartwrenching "Dead Hearts", where they asked everyone to raise a fist to our own ghosts, followed immediately by the beautifully uplifting "Hold On When You Get Love and Let Go When You Give It", the crowd singing along with abandon.
The whole night, in fact, they had the crowd yelling, clapping, and bouncing to their songs. I am certain there are few other bands in the world that would get a packed theatre to comply when they sing “Put your hands up 'cause everybody dies” on the title track to No One Is Lost, which closed out the main set. 

As the lights pulsed it was obvious they would be back, but they made us work for it, eventually returning – Torquil in a shirt reading 'Fuck the Clock' – and going into the bitter back & forth of "One More Night", and "Wanderers" off the new album, written for Gord. After some nice words for the city and the plea “We’re Stars, don’t forget us”, the familiar strains of "Your Ex-Lover is Dead" started, once again getting the entire room singing their hearts out to the fan-favourite. 

It was a perfect ending, and as the lights came up and “We’ll Meet Again” by Vera Lynn started playing -- another sign they might not be back for a while? But regardless, it was a great night and I know at least one person who will be patiently waiting for their return, whenever it may be.

 

setlist
Fluorescent Light
Ageless Beauty
Alone
Ship to Shore
Elevator Love Letter
The Theory of Relativity
Take Me to the Riot
Real Thing
Privilege
Dead Hearts
Hold On When You Get Love and Let Go When You Give It
Backlines
One Day Left
Trap Door
No One Is Lost
(encore)
One More Night
Wanderers
Your Ex-Lover Is Dead

June 13, 2018 /Kirk Hamilton
stars, vogue theatre, shamir
live shows
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Hotel Mira @ Biltmore Cabaret -- 04/25/18

April 26, 2018 by Kirk Hamilton in live shows

If you've been wondering why you haven't heard from Vancouver's JPNSGRLS in a while, well, I have some news for you. The band has undergone a bit of a transformation, with most of the old members gone and frontman Charlie Kerr now joined by Colton Lauro on lead guitar and Mike Noble on bass. And not only that, but they're now going under the moniker Hotel Mira. And last night they finally made their grand (re)debut at the Biltmore Cabaret. 

First up, though, was Whisper Disco, a three piece from Vancouver with a garage rock vibe. Their set was full of energetic and raucous songs, and while I didn't catch the name of any -- they didn't say much between the songs -- the two that stood out for me were a bit of a darker one, singer Viviane Chiamulera's voice matching with a haunting tone, and the final song of the their set, which wrapped it app up in an explosive finale (even with a bit of equipment problems on the drums mid-song). They're definitely someone I'm going to want to keep an eye/ear on. 

Victoria's Band of Rascals were out next, with a much more straight ahead rock n roll sound. They started strong, with a broken string on the very first song, and kept up the pace throughout their set, wearing their influences on their sleeve. Even though nothing really stood out for me, they put on a solid set that had the crowd into it and kept everyone pumped. 

And finally, after a video hype package, the screen lifted to bright white incandescent lights illuminating the stage for Hotel Mira. 
The lights started out stark white before shifting to coloured midway through, as the set ramped up. They mostly teased new songs like "3am Lullaby" pouring forth raw emotion and "Jungle" showing off the bands' harmonies. And while each member on stage had a strong presence, Charlie Kerr was on another level, hardly standing still throughout the set. He stalked back and forth, danced up front, and even literally got in the faces of those in the front row, it was almost exhausting just to watch. 
While the set was mostly new songs, the name & lineup change didn't preclude a few older ones slipped in, as they got the crowd moving with a few familiar numbers like the frenetic "Smalls", the intense "Bully For You", and especially "Southern Comforting" which had the crowd singing along. 

The set drew to an end with a more maudlin "Stockholm" before they were quickly back for one more song, "Oh My God", Kerr asking everyone to lose their shit, which the crowd happily obliged. 

Despite the changes, Hotel Mira still feels like an extension of JPNSGRLS, rather than an entirely new thing (which is probably why they billed it as a renaming, not an entirely new band). With Charlie's distinct vocals and a similar, more polished sound, I'm looking forward to hearing more from them.

setlist
Baby
Jungle
Circulation
Beautiful Thing, I am Terrified
Smalls
Ginger Ale
Tell Me I'm Alright
For Your Benefit
3am Lullaby
That Man
Bully For You
Southern Comforting
Stockholm
(encore)
Oh My God. 

 

April 26, 2018 /Kirk Hamilton
hotel mira, jpnsgrls, whisper disco, band of rascals
live shows
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