PHOTOS: Constellation Festival Day 3 - July 28, 2019 ft. Luca Fogale, Begonia, Current Swell, The Jerry Cans, Half Moon Run, Wintersleep, Bahamas

Luca Fogale, Begonia, Current Swell, The Jerry Cans, Half Moon Run, Wintersleep, Bahamas
Constellation Festival Day 3
July 28, 2019

Christine McAvoy Photography

Constellation Festival: Day Three -- 07/28/19

Before getting into the third and final day of the Constellation Festival, I want to mention how smooth the whole weekend ran. With two stages of alternating acts, and being able to hear the music anywhere on the grounds, just about the entire weekend ran according to schedule.

And if they did fall behind, the time was very quickly made up for. There were also no Skookum-esque lineups for washrooms or food!
Any complaints, or thoughts for improvements in the future (such as phone charging stations that are NOT in the area dedicated for the festival patrons to smoke weed) were very minor. I was very impressed with how it turned out, especially for the first year of the festival.

Luca Fogale - Christine McAvoy Photography

But on to the music, as Sunday for me began with Luca Fogale, who took the stage alone -- a bold move for a festival. He started off with his acoustic guitar, his heartfelt voice pouring out in the mid-afternoon sun, as the crowd grew. Mid-way through the set, he switched over to keys, which I thought was a much better fit for his crooning vocals.

Next I listened to a bit of The Modelos, over on the Creative BC side stage. The self-proclaimed "Rock 'n' Roll Cowboy Surfers" lived up to the moniker, with a loud and rollicking set of a combination of surf rock and honky-tonk that fit together surprisingly well for a fun set.

Then it was time for one of my most anticipated acts of the weekend, Begonia, who had arguably the most amazing and powerful voice of the festival. Her set ran from the soft and heart wrenching "Hot Dog Stand" to the infectious bass groove of "Juniper", as well as my favourite of the set, the title track to her upcoming album "Fear", an intense song that gave chills despite the shining sun.
Judging by the reaction, by the end of her set, both her music and her charming, slightly self-deprecating banter between songs earned her more than a few new fans. My guess is, she's going to be headlining one of the Constellation stages before long.

Begonia - Christine McAvoy Photography

Hunting was up next, the new project from Bradley Ferguson, Dustin Bentall, and Jessicka (who played the festival earlier in the day). It was the first show as this new incarnation of the band, which also included a few familiar faces to the Vancouver music scene, Daniel Ruiz and Catherine Hiltz backing them as the rhythm section.
Their electro-tinged rock & roll was exactly what you would expect from the pedigree on stage, with a high-energy, driving sound. A couple songs especially caught my attention; one I think they called "She Was", along with a song that they introduced as meant to be listened to with the windows down, bombing down a highway. I'll definitely be on the lookout for them in the future.

All the way from Victoria, Current Swell took the main stage next. It's been a long while since I last saw them play, and as far as I could tell the only remaining member was lead singer Scott Stanton, joined by a new group (which included Evan Miller from Wild Romantics). Not only that, but they had a horn section join them for much of the set.
Their laid back, "Vancouver Island surf rock" sound was tempered with some newer tunes that had a bit more of an edge to them. Scott also brought out the slide guitar for my favourite song of theirs, "Cursed", with it's incendiary slide riff.

Current Swell - Christine McAvoy Photography

I only caught a little bit of the next act on the side stage, The Jerry Cans. But I did get a fun and energetic party feel from what I heard, with the Iqaluit band blending raucous vocals with Inuit throat singing.

Half Moon Run - Christine McAvoy Photography

The only celestially-named band at the Constellation festival was up next, Half Moon Run taking the main stage. They started off slow before building over the next few songs, with a set that had a really good ebb & flow of energy, building up to songs like "Turn Your Love" then drop to slower songs like the ballad-y "Need It". Their four voices blended together harmoniously throughout, including their hit single "Call Me In The Afternoon", when they decided their dual drummers were not enough, and one of the singers pounded the floor tom along with them.
The set same to an end with "Full Circle", though the crowd was not yet satisfied, chanting for "one more song" and since there was enough time before the next set, they obliged for what seemed like a legitimate encore, the band huddled around the microphone with an acoustic guitar, for a cover of Neil Young's "After the Gold Rush".

Closing out the side stage for the day was Wintersleep. I've never been that big on the band, but I was a little amazed at just how many songs I recognised throughout the set. They showed off their prolific career with singles like "Amerika" and "Spirit", before delving into their most recent album In the Land Of. As the set drew to a close, they got everyone clapping along with the now-classic "Weighty Ghost", and then finished off with a couple more, a big, extended jam finishing off.

Wintersleep - Christine McAvoy Photography

And immediately as Wintersleep ended, the familiar marimba of "Under The Sea" filled the air, while Bahamas took the stage. Afie Jurvanen was joined, as always, by his fantastic backing band, Jason Tait on drums, Darcy Yates on bass, Christine Bougie on guitar, and singer Felicity Williams.
Starting off the set with "So Free" off the latest album, he spanned his entire career, from the gorgeous "Already Yours" from Pink Strat, to the pseudo R&B jam "Bad Boys Need Love Too" off Earthtones, and many in between. During "Your Sweet Touch" he and Bougie broke into an extended jam, playing off each other fantastically, and other favourites like the sultry "Caught Me Thinking" had the crowd dancing (and swooning) along.
His self-deprecating humour popped up a few times during the set, as he joked he was always called to play a Sunday evening of a festival, never a Friday or Saturday. And, looking back on it, both Skookum last year and 2017's Vancouver Folk Fest… guess what day he played?
He also made a complete mockery of the encore concept, wryly stating that after the "last" song, they're obligated to go stand side stage (where 70% of the people would still be able to see them) and then come back out for a few more. Which, after the beautiful "Lost In The Light" ended the main set, is exactly what happened.
He returned to the stage with "All The Time", which was a little ironic since that was the same moment that Christine and I decided to slip out of the festival to attempt to beat the crowd (and more importantly, any Sea to Sky traffic back to Vancouver), as we could hear the last few songs drifted throughout the night.

Bahamas - Christine McAvoy Photography

I've long told people that the first couple years of Live @ Squamish was the best outdoor festival I have ever been to, and even beyond taking place on the same grounds, Constellation reminded me a lot of that. It was

And I hope they are planning this for a long time, because I am already looking forward to next year! Oh, and don’t forget to check out all of Christine’s photos too!

Constellation Festival: Day Two -- 07/27/19

Day Two of the Constellation Festival went off with mostly clear skies, and not the rain that was threatened by the forecast (to at least one pale person's chagrin), with an eclectic mix of music throughout the day.

Fred Penner - Christine McAvoy Photography

A crowd gathered early in the day for Fred Penner, with a collection of all ages; kids as well as adults with a nostalgia for the classic children's entertainer. And Fred clearly knows his audience, slipping a Monty Python reference in to one of his songs.
Penner had the kids (and, let's face it, most of the adults) singing and miming along to songs about celebrating differences and just generally being a good person. He was also joined by a few special guests for "Sandwiches", festival director and general all-around superhero Tamara Stanners, as well as Badgerchild and Valor Grey for backup vocals. Valor Grey also then performed her song "Phoenix" with the ensemble, before Fred ended his set with the perennial favourite "The Cat Came Back". And in yet another nod to his varied fanbase, he slipped in a medley of songs from Ray Charles, The Turtles, and even k-os.

Sam Lynch - Christine McAvoy Photography

Next on the Creative BC stage was Sam Lynch and her band, including Stephanie Chatman on violin. Sam’s voice lilted throughout the festival grounds carrying her soft, singer/songwriter sound. Her set started soft, and slowly built in intensity, with songs like "Off The Rails" growing to a heartfelt finish.

Art d’Ecco - Christine McAvoy Photography

Next over on the main stage was one of the the wildest turns they could get to follow Fred Penner: Art d'Ecco.
Adorned in a grey jumpsuit and gold boots, Art d'Ecco started off with "Never Tell", bringing the energy up with their glam rock. I had, for some reason, not had a chance to check them out up until now and was kicking myself for waiting this long, won over by songs like the haunting "Nobody's Home". There was an effortless presence, both singing, bantering and joking with the crowd between songs, and I am definitely
going to make sure to check out more from them in the future.

I caught most of The Sunset Kids while taking advantage of the food cart area. Their synth rock and split vocals drove big, grandiose songs like "Brave" and their upcoming single, which I think was called "Volcano" and sounded like it could be a huge radio hit. Though I have to take issue with the fact that they were playing at 5pm with the sun bright in the sky.

Jocelyn Alice was up next on the main stage. With an incredible voice propping up her soulful, poppy songs, she amassed a growing crowd of people. Some clearly already fans and, from the response, more than a few new ones as well. Songs ranged from the sultry "Jackpot" to the absolutely heartbreaking piano-driven song called "You're The Worst", before ending with a little Hustler-themed mashup of Beyonce and Jay-Z.

Foxwarren - Christine McAvoy Photography

Next over at the side stage was Foxwarren, the latest project from Andy Shauf. Their chill, downtempo indie rock was highlighted by songs like the infectious "Everything Apart", but I think the timing of the set was a bit of a detriment to the band. Playing smack dab in the middle of the day, I feel like their moody vibes would be better suited to a dark and smoky venue at night, rather than in direct, intense sunlight. Especially when the last song of their set ended with an extended jam. I didn't dislike the set by any means, but I definitely would have appreciated it a lot more in a different setting.

Peach Pit - Christine McAvoy Photography

Luckily Peach Pit was next on stage to get the energy back up. Dressed in various pastel and primary colours, they kicked off with their single "Being So Normal", hair swinging wildly as they played.
They kept the energy up throughout the set, with a smattering of new songs like "Psychics in LA", telling the story behind the song about an actual psychic in LA who didn't have a great reading for singer Neil Smith's friend's cat. They also played “old” favourites like "Drop The Guillotine", and finished off with a rousing cover of Tom Petty's "American Girl"

Back to the side stage was Shad, no stranger to playing Squamish festival(s). He started off with "The Fool pt. 1 (Get it Got it Good)" as his unmatched charisma drove the set full of hits and favourites, like the rapid-fire "Stylin'", which ended with a powerful freestyle, and recent single "Magic".
Other highlights included the best song ever written about saving money, "The Old Prince Still Lives At Home"; and "Fam Jam (Fe Sum Immigrins)" a song that is (sadly) as relevant, if not more, today than it was when it first came out 6 years ago. I haven’t seen Shad play in a few years, it feels like, so it was definitely a treat, and one of the highlights of the festival so far.

Shad- Christine McAvoy Photography

A Tribe Called Red then hit the main stage, with some unfortunate news to start the set, saying that one of the performers that was supposed to share the stage with them was profiled by the RCMP, and removed from the festival earlier that day. But they were not going to let that stop them as they started off with "We Are the Halluci Nation", the soul-thumping-bass pounding throughout the grounds.
Admittedly, I am not that into dance-electronica music (Christine was having a great time), but I can absolutely recognize how good they are at what they do, as the growing mass of people (and Christine) dancing proved. In addition to their music, they also put on a very engaging live show, with the various dancers and performers they have on stage, many in traditional or ceremonial garb.

A Tribe Called Red - Christine McAvoy Photography

Much like the previous day, I wasn't sure how anyone was going to follow that, when the attention turned to the final act of the night on the side-stage, multi-instrumentalist Cosmo Mandrake. He had a really cool and chill electronica sound, that didn't nearly match the energy of ATCR, but was more of a calm break between two storms. Throughout the set he was joined by a few people, local singer Andrea Vargas for the song "Rich" (who was on the recording, but they had never got to play live together), and then during the final song, he was joined by some backup dancers in large sunflower outfits.

And finally, closing out the night was Jessie Reyez, her first live show in a couple months, since as she put it “fucking her back up”. I did end up taking off early for the evening, but caught the first few songs of her brash and unapologetic hip hop, as she had the crowd in the palm of her hand, dancing, jumping (much to her management’s chagrin), and even raising middle fingers at her command.

Jessie Reyez - Christine McAvoy Photography

Which brings us to the third and final day of the fest, which will feature Bahamas, Begonia, Half Moon Run, Wintersleep, and loads more. And again, keep an eye out for Christine's daily photo recaps (including ones from Day 2 - click here)!

PHOTOS: Constellation Festival Day 2 - July 27, 2019 ft. Fred Penner, Sam Lynch, Art d'Ecco, Foxwarren, Peach Pit, Shad, A Tribe Called Red, Jessie Reyez

Fred Penner, Sam Lynch, Art d'Ecco, Foxwarren, Peach Pit, Shad, A Tribe Called Red, Jessie Reyez
Constellation Festival Day 2
July 27, 2019

Christine McAvoy Photography

Constellation Festival: Day One -- 07/26/19

The first ever Constellation Festival kicked off last night, rising from the ashes of Live @ Squamish and the Squamish Valley Music Festival. The inaugural edition took place at on the same grounds, at Hendrickson Field, with a beautiful mountainous backdrop, especially over the main stage.

Christine and I arrived to scout the grounds as Sarah Macdougall sang a cover of "Ramble On" by Zeppelin, as I took in the setup; a large field with two stages at either end --- bands alternated so there was no bleed in music, and you were never too far from the next act. There was also a selection of food carts, and a nice row of local vendors in the middle of the grounds.

The Boom Booms - Christine McAvoy Photography

The first full act I saw was The Boom Booms (evidently the rumours of their demise were somewhat exaggerated). Their upbeat and fun soulful sound was a great way to get the day rocking as the crowd flowed through the gates.

Parker Bossley - Christine McAvoy Photography

Next on the side stage was Parker Bossley, former frontman for the Gay Nineties. His solo material was similar to the band, with a bit more of a pop bent, like the synth-fuelled "LIfted". Parker has always had a captivating energy on stage, and this was no different as he oozed charisma throughout the set.

Fast Romantics were next over on the main stage, starting hot with a broken string on the very first song, "Why We Fight". Six members large, they had a big, boisterous indie pop sound, blasting through songs ranging from the slower ballad "Mexico" to the blaring fun of "Julia".

Fast Romantics - Christine McAvoy Photography

I caught a bit of Daysormay from Vernon while getting a bite to eat, with their eclectic alternative indie sound, before Dear Rouge took to the main stage. They hit the stage mostly dressed in all black, with Danielle McTaggart also adorned in a flowing black & white robe and giant silver spaceboots. With said robe flowing in the wind, they immediately launched into "Modern Shakedown" from their most recent album Phases.
Every time I see them, I feel like they've levelled up, and this time was no different, as Danielle stalked the stage with incredible swagger, her voice ringing through the valley. And of course not forgetting Drew McTaggart ripping it up on guitar, and the rest of the band holding their own.
They went through their catalogue of hits, including "Boys and Blondes" and "Best Look Lately", as well as "Black to Gold" which had a pyrotechnic element, as Danielle brought out a purple smoke flare.
After an incredible cover of "North American Scum" by LCD Soundsystem, they transitioned into "I Heard I Had" with Danielle jumping into the crowd, literally in the faces of the people in the first few rows, before running back on stage. And somehow after that, they still had one song in them, finishing off with "Live Through The Night"

Dear Rouge - Christine McAvoy Photography

Dear Rouge - Christine McAvoy Photography

Dear Rouge - Christine McAvoy Photography

Scenic Route To Alaska - Christine McAvoy Photography

They put on a set that proved they shouldn't be doing anything except closing out the night on festivals like this, because when they were done, I was spent and practically ready to go. Which might be part of the reason I only caught bits and pieces of the last two acts, getting tied up in a conversation while Scenic Route to Alaska played the second stage — through a few times their catchy indie rock pulled my attention, including songs like the driving "Paris".

Serena Ryder - Christine McAvoy Photography

And finally, it was Serena Ryder closing out the night. She started off hot with "Stompa", her powerful voice carrying to the mountains. But thanks to a bit of rain and a lot of bugs, I decided to save my skin for the next day, and let the sounds of Serena serenade the walk back to the hotel.

Day two of the festival features Fred Penner, Foxwarren, Shad, Peach Pit, A Tribe Called Red, and loads more, and keep an eye out for Christine's daily photo recaps!