Steph Macpherson @ Media Club -- 05/04/12

Celebrating both the release of her debut full length, Bells & Whistles, and the kick off of her spring tour, Steph Macpherson's hit The Media Club last night for a night of fine folk-pop tunes.

First up was songstress Jody Glenham for a stripped down set, with her acoustic guitar and backed just by an electric guitar. Her set had almost a coffee-house vibe, with a collection of low-key, but heartfelt songs. The focus of which was definitely Glenham's strong voice that was simultaneously soft and beautiful, yet powerful. Highlights were the haunting "Gypsy Babe" and the last song of the set, which I didn't catch the name of, but was a bit more upbeat and higher energy than the rest -- an energy that was not necessarily missing from the rest of the set, but would have been a welcome addition.

Prairie Dance Club took the stage next, with a pretty straight ahead country/roots-rock sound. There wasn't much banter or interaction, just a set of solid and boot-stomping songs, including a cover of Tom Petty's "Honey Bee". It was a rockin' set, and while there was really nothing to fault from the band, there wasn't much that really stuck out either; perfectly acceptable music that kept the night rolling.

And finally, rounding out the night was Steph Macpherson, with a backing band that included Mike Edel and Jason Cook on bass and drums, respectively. She started off with the first two songs off her album Bells & Whistles, the title track and "Bent & Unkind", both good examples of her heartfelt and vulnerable lyrics.
Part way through the set the guys took a rest while Steph performed a couple songs acoustic, "The Distance" from the new album and "Letters" from her prior EP; both heartbreaking and beautiful songs, showing off Steph's rich voice. The rest of the band was back out to join her and ramp up the energy for the end of the set, the powerful "The Verdict" and the insanely infectious "Summer Salute", getting the crowd clapping along before the one-song encore, a pretty strong cover of CCR's "Have You Ever Seen the Rain?"

When I first saw Steph in the Peak Performance Project a couple years ago, I liked her, but thought she was just missing that "edge" to set her apart from all the other female-folk-songer-songwriters. Since then -- and with the new album -- she has definitely gone a long way to refining that edge, and if she keeps on the path she's on, she could be on her way to being the next Kathleen Edwards or Sarah Harmer.

setlist
Bells & Whistles, Bent & Unkind, Silver Platter, Keeping Time, The Distance, Letters, Best of Us, The Verdict, East, Summer Salute.
(encore) Have You Ever Seen The Rain? [CCR cover]

Said The Whale @ Vogue -- 05/03/12

Friday night was the big homecoming for Vancouver's Said the Whale. Not only were they on the last leg of their eight week tour in support of their new album, Little Mountain, but they were coming home to an all ages show was just that: a range of young teens to older fans, and everyone in between at the sold out Vogue Theatre.

I missed the first band, Oh No Yoko, getting there just as Chains of Love hit the stage. The female-fronted band had a catchy 60s surf-rock and girl-pop sound, but few of their songs were distinguishable from each other. They were by no means bad, and were fairly energetic, but just seemed to be missing that one special quality that would push them over the edge. As much as I wanted to like them, they just fell a little flat; perhaps their sound would have been better suited for a more intimate venue.

Not long after, it was time for Said the Whale. Drummer Spencer Schoening coming out first, setting the mood and building anticipation before the rest of the members filed out on stage, immediately launching into "Heavy Ceiling". Their set ranged in songs from all over their career; from the huge hits, "This City's A Mess" that had the sold out venue singing and clapping along, to some deeper cuts, "Live Off Lamb" for the long-time fans. The driving power pop of Tyler Bancroft's songs like "Camilo" and "Lines" pairing perfectly with Ben Worcester's softer and more melancholic numbers like "A Cold Night Close to the End" and "The Reason".
Other highlights from the set included the infectious "Loveless" that saw keyboardist Jacelyn Brown step up for some vocals, and "Hurricane Ada", which is structured exactly like its namesake; a soft start, building in intensity before a calm "eye", and then bursting into a cacophonous ending.
They "wrapped up" the set with "Emerald Lake, AB", proudly and earnestly proclaiming "what a fine life we are living" before coming back for the obvious encore. It started with just Jacelyn on keys and Spencer taking over vocals for "Seasons" (before a quick stage dive) and then another old one -- and one of my favourites of theirs -- "My Government Heart". The song has a dark and, for lack of a better term, badass energy, with Tyler angrily spitting out the vocals, and I wish they had more songs like this in their later repertoire.
And finally, they brought the whole night to an end with the perfect closer, "Goodnight Moon", the crowd assisting the ragged-voiced Tyler on vocals and a dozen other musicians, from the opening acts and friends from other Vancouver bands, filling the stage for the joyous ending.

Clocking in at nearly two hours, it may have been a little too long, but that isn't to say I didn't enjoy every minute of it, and in the end the band gave it their all; from Ben breaking some strings to Tyler breaking his vocal chords, they had so much love for the hometown crowd, which was more than reciprocated right back at them.

setlist
Heavy Ceiling; This City's A Mess; Black Day In December; Lines; Out On The Shield; The Reason; O Alexandra; We Are 1980; Big Sky, MT; False Creek Change; The Light is You; Big Wave Goodbye; Jessie, AR; Live Off Lamb; Better For You; BC Orienteering; A Cold Night Close to the End; New Brighton; Lucky; Guilty Hypocrites; 2010; Hurricane Ada; Camillo (The Magician); The Gift of a Black Heart; Loveless; Emerald Lake, AB.
(encore) Seasons; My Government Heart; Goodnight Moon.

Yukon Blonde & Library Voices @ Commodore -- 04/27/12

This was a show I was looking forward to for a while. Two of my favourite bands to watch live teaming up for a cross Canada tour, with the final night being the homecoming show for Yukon Blonde.
And I fully admit, while Yukon Blonde was the headliner, I was just as -- if not more -- excited to see Library Voices again.

First up, though, was Great Bloomers from Toronto. I had seen them once before (coincidentally, also sharing the stage with Yukon Blonde) and I was interested to see them again. The five-piece hit the stage with a slow build up before launching into their upbeat rock, with a little twinge of folk. They were pretty straightforward, but they had a great stage presence and a solid sound. Highlights of the set were the catchy "The Young Ones Slept" and a pair I didn't catch the name of, which they ended the set with; the first one started soft and built to a great climax, and the final song a straight up rocker.
Really enjoyable, and a great opening act for a show where the first band could have been easily overshadowed and forgotten about. I definitely look forward to seeing them again next time they're through town.

Next up was Regina's own Library Voices. When I had seen them before, it was always at smaller venues with the seven members of the band crowding on stage, so it was great seeing them make use of the the large space of the Commodore. Bassist Eoin Hickey-Cameron was never in one place for more than five seconds, Paul Gutheil tossed and twirled his saxophone, and during one of the later songs, "Kundra On The Dance Floor", singer Carl Johnson put down his guitar and was dancing precariously on the edge of the stage, and even singing while upside down, on his head at one point. To say nothing of the rest of the band, who all matched the energy to make one of the most entertainingly energetic live shows.

But of course, it wasn't just the energy; they packed the too-short-set with music that is aptly described as "Pop as fuck!". Insanely catchy with smart and clever lyrics, song like "Be My Juliette Gréco, Paris 1949" laments of a time "Before Photoshopped hips and collagen smiles / When longing meant more than a drunk dial" and their literary love was pretty clear in "Reluctant Readers Make Reluctant Lovers".
Tearing through the songs with fantastic precision, they brought the set to an explosive ending with the packed ballroom floor singing and, naturally, clapping along to "Generation Handclap" and yelling along with "Step Off The Map and Float", which saw a couple members of The Great Bloomers and Yukon Blonde joining them. My only complaint about the set was that it seemed far too short, but then again, I could watch Library Voices play all night. They are, without a doubt, one of the most fun bands to watch live.
Oh, and one of the instruments in Michael Dawson's arsenal is a theremin. How can you not love a band that so expertly integrates a theremin into their sound?

setlist
If Raymond Carver Were Born In The 90s; Write Me A Myth; Traveller's Digest; Be My Juliette Gréco, Paris 1949; Party Like It's 2012; Haunt This House; My, Myself, and ID; Reluctant Readers Make Reluctant Lovers; Kundera On The Dance Floor; Generation Handclap; Step Off The Map and Float.

I don't envy any band that has to take the stage after Library Voices, but if anyone can, it's Yukon Blonde, the four core members were joined by Matt Kelly to round out their sound with an additional guitar and keys. There was a bit of a nervous energy at first, with the show not only being their homecoming show, but their first time headlining the Commodore -- Jeff Innes was visibly in awe more than once looking out into the packed room -- but the any nerves quickly subsided as they launched into their set (which included some family members, including Grandmothers, front and centre).

They kicked off the set with the first two songs from the new album, Tiger Talk, "My Girl" and "Radio" -- a song that immediately became, and remains, my favourite my favourite song of theirs the first time I heard it -- and didn't look back as their spot on harmonies and amazing energy, especially from Innes and Brandon Scott, carried the rest of the set, from the unbridled "Breathing Tigers" and "Iron Fist" to the more subdued "Guns" and "1000 Years".
After the explosive "Stairway", they were back out for the encore, first "Wind Blows" before inviting members of both Great Bloomers and Library Voices out for  a massive, end-of-the-tour songalong to the final song of the night, "Fire". As the stage filled, Jeff and Brandon even parted with their guitars for members of the other bands to take over, and Scott even leaped off the stage to crowd surf.

The one thing that the bands had in common, especially Library Voices and Yukon Blonde was their pure excitement. They were probably more thrilled to be there than the crowd was, and that energy more than shone through. Few things make a live show better than looking up at the musicians and seeing that joy on their faces.

setlist (incomplete, as there were a couple songs I missed the names of)
My Girl; Radio; Brides Song; Iron Fist; [New song]; Sweet Dee; Rather Be With You; 1000 Years; Breathing Tigers; Guns; Babies Don't Like Blue Anymore; Stairway; [mystery song].
(encore) Wind Blows; Fire.

Joel Plaskett Emergency w/ David Vertesi @ Vogue -- 04/14/12

Photographs by Leigh Eldridge
Even though he was here for the Vancouver Folk Music Festival last summer, it seemed like it had been forever since the last time Joel Plaskett was in Vancouver, so nothing was going to stop me from missing one of my favourite live acts return to the Vogue Theatre -- and seeing as it was sold out, more than a few people felt the same way.

First up was David Vertesi to warm up the crowd with his deep, smooth voice and heartfelt folk-rock songs. Joined only by Andrew Rasmussen on keys and backup vocals, Vertesi had the crowd into it, from the heartwrenching "Learn To Run" that built to a grand finish, to the shoulder-shimmy-inducing "Broadcasting".
Aside from his solo material, he also hit one of his Hey Ocean! songs "Jolene", and a great cover that's been a staple of his live shows, Spice Girls' "Say You'll Be There", which had a great jazz-piano solo to end it. He wrapped up his set by inviting a surprise guest to the stage, Hannah Georgas to sing on "Mountainside", but not before making sure everyone left the theatre with a copy of his CD, offering it on a "pay-what-you-feel" system, be it money or hugs.

setlist
Gentlemen Say; Soft Skin; Jolene; Caroline! A Ghost!; All Night, All Night, All Night; Learn To Run; Broadcasting; Cardiography; Say You'll Be There [Spice Girls cover]; Epilogue; Mountainside.

Then it was time for Joel Plaskett Emergency, the trio kicking it off with "You're Mine" from the new album, Scrappy Happiness, for a nearly-two-hour set that spanned a good chunk of Joel's career. They came out rocking, right off the bat, with "Tough Love" and "North Star" before the Emergency band took a break for Joel to play a few songs solo, including the heartbreaking "Face of the Earth", and two of his biggest songs, "Nowhere With You" and "Love This Town"; which got a roar of applause when he, a little sheepishly, sang the infamous Kelowna verse unchanged.
Joel started into "Lightning Bolt" and the band came back out mid-song for it to build to a huge ending, and they didn't let up the energy until the end. "Work Out Fine" had everyone singing along, and Joel slipped in a few lines of other songs and played around with the song and on stage, lying down on his back for a verse. There was a huge sing along to "Through & Through & Through" and they brought it to a big finish with "Extraordinary".
But of course, the crowd was hungry for more and Joel was back out after not too long for "You're Mine" -- a nice echo to the first song of the night -- and the band joined him part way through "Rollin', Rollin', Rollin'", but not before the entire sold-out audience was clapping along, and capped off the night with "Come On Teacher"
Plaskett is a phenomenal performer and showman; effortlessly charming and funny on stage -- joking about his dancing monkey statues which he had on a foot switch, told stories about his old van, and more -- Joel managed to take a sold-out Vogue Theatre and make it seem much more like an intimate night of music. I don't think there would be many that would disagree with Joel Plaskett being one of Canada's best live acts.

setlist
You're Mine; Deny, Deny, Deny; Tough Love; Waiting To Be Discovered; Heartless, Heartless, Heartless; North Star; Harbour Boys; Let You Down; Love This Town; Face of the Earth; Nowhere With You; Lightning Bolt; Work Out Fine; Through & Through & Through; Maybe We Should Just Go Home; Extraordinary.
(encore) I'm Yours; Rollin', Rollin', Rollin'; Come On Teacher.




Jeremy Fisher w/ Steph Macpherson @ St James Hall -- 04/12/12

Even though I've seen Jeremy Fisher live a few times, I had somehow never seen him play a show of his own; it was always headlining or playing with others (a la the Malahat Revue). So when I heard he was coming back through town to St James Hall -- with a fine opening act, no less -- I was determined to go.

Opening the show was Steph Macpherson for a solo set consisting mostly of songs from her forthcoming album, Bells & Whistles. Mostly it was just Steph and her guitar -- her rich voice and gorgeous folk songs --  but  mid way through, she took a seat at the grad piano for the beautiful "Open Book". Throughout the set, Steph drew the audience in, giving it an intimate feeling by telling stories between songs and wearing the emotion of the lyrics on her sleeve. She also got everyone involved, singing along for the end of "Best Of Us" and clapping to the final song of the set, the upbeat and undeniably catchy "Summer Salute".
The set was short, but very sweet, and made me that much more excited for her upcoming CD release show, with a full band, next month at the Media Club

setlist
Bells & Whistles, Keeping Time, Best of Us, Open Book, Silver Platter, The Verdict, Summer Salute.

Not too long after, Jeremy Fisher hit the stage; just him, his guitar and an assortment of harmonicas. Right away, he created a very relaxed laid back atmosphere, talking and joking with the crowd and weaving stories between, and sometimes even in the middle of, songs. Even when he joked that it was a hard song, or warning us he'd screw up, he seemed absolutely comfortable on stage and made it seem effortless, with a great presence and connection with the audience.
Fisher played for just over an hour, hitting songs old and new, and also paying homage to his influences with a few covers, like when "Scar That Never Heals" segued into "Me and Julio Down by the Schoolyard". He also made use of the grand piano on stage for a couple songs, "Left Behind" and later for a brand new songs called "The Bride Is Dead", which was about exactly what the title implies, and was hilarious; definitely a highlight of the set. Other favourites included the high energy "Alison", and "Laissez Faire".
Near the end of the set he took requests, playing a few fan favourites, before ending with "High School" and "Fall For Anything", joined by Marcus Takizawa on violin. He was back out for an encore, this time with Vancouver's Adrian Glynn for a couple songs, first a new song by Adrian then ending the night with "Cigarette".

setlsit
Gone [John Hiatt cover], Shine A Little Light, Ain't Got Nothin' But Plenty Of Time, Scar That Never Heals -> Me and Julio Down by the Schoolyard [Paul Simon cover], Left Behind, Singing on the Sidewalk, Alison, The Bride is Dead, Jolene, Lay Down (Ballad Of Rigoberto Alpizar), Just Friends, Canned Goods [Greg Brown cover], Laissez Faire, Naked Girl, High School, Fall for Anything. 
(encore) [Adrian Glynn song], Cigarette.