The Mocking Bird CD Release @ Roundhouse -- 01/20/12

It was a show that almost literally snuck up on me. I had all but dismissed it in favour of a different show, until mere hours before, I realised that The Mocking Bird was the new project from Vancouver musician Bob Kemmis. And then when I heard some of the people that would be backing him in the band for their CD release show, well, my decision was made.

Opening the night was Vancouver's Nat Jay armed with just her guitar and lovely voice for an acoustic set. With her folky, singer-songwriter sound, there were a few times where the songs sounded a little similar, but they were all very heartfelt and raw with emotion. The heartbreaking "Some of You" was a great example of this, with the longing lyrics and Nat Jay's warm stage presence drawing in the slowly-growing audience. Her catchy songs, emotional lyrics and intimacy all came together for a very enjoyable set.

Shortly after, The Mocking Bird hit the stage with a band of over a dozen musicians -- all in matching shirts --  joining Bob Kemmis, including a string quartet, horn section, Matt Kelly (Treelines) and Shaun Verreault (Wide Mouth Mason) both on guitar, Pat Steward on drums and his Odds bandmate Craig Northey on percussion. And the set definitely lived up to the pedigree of musicians on stage.
Kicking off with the opening track to the album, "Grace", the set went from upbeat and catchy rock to slower numbers, having almost an alt-country twang with Matt Kelly on pedal steel for a few songs. The strings and horns added an incredible depth to the song without feeling out of place, with the whole thing coming together beautifully for an incredible set.
Highlights were "Where's Your Get Up", "Quitting You", "Loved You Hated Him" and the song they finished off with, the last song off the album, "What A Difference". The usual encore first saw just Bob playing a brand new acoustic song -- with Matt, Shaun, and Pat providing backup vocals -- and then the rest of the band came back for a great cover of The Replacement's "Can't Hardly Wait" to wrap up the night with a bang.

Kemmis is a fantastic frontman with great energy, effortless charm, and funny banter between songs. And that charm and wit definitely seeps into his the songs as well, with some very well written and clever lyrics, and the occasional wordplay (which I am always a fan of). Everything meshed together amazingly for one heck of a show that will not soon be forgotten, and a damn good way to kick off the year.

One Night Stand IV @ Media Club -- 12/31/11

For the fourth year in a row (and my third in attendance), some of Vancouver's finest musicians came together to ring in the new year with nearly three hours of great covers. The night saw many familiar faces from the last couple years, as well as some new additions to the one-off band, which rotated members throughout the night, seeing people on and off stage and everyone getting at least one song of their own -- even those who are not usually front and centre.

This year, the One Night Stand band consisted of Johnny Andrews (Rococode) Andrew Braun (Rococode, Hannah Georgas) Peter Carruthers (Siskiyou) Robbie Driscoll (Hannah Georgas) Hannah Georgas herself, Brian Healy (Elias) Tariq Hussain (Brasstronaut) Ali Milner, Jasmin Parkin (Mother Mother) Laura Smith (Rococode) Rob Tornroos (Elias), "plus surprise guests"

Starting at 10, they played three sets of covers, at the top of each hour, with the obligatory midnight countdown and free champagne.



Set One
Ready To Start (Arcade Fire) - Andrew Braun
Take On Me (A Ha) - Ali Milner
Rolling in the Deep (Adele) - Laura Smith
Suffragette City (David Bowie) - Brian Healy
Dreams (Fleetwood Mac) - Ali Milner
The Night They Drove Old Dixie Down (The Band) - Brasstronaut
Be My Baby (The Ronettes) - Jasmin Parkin
Born To Run (Bruce Springsteen) - Peter Carruthers
Common People (Pulp) - Tariq Hussain

They kicked off the night, appropriately enough, with Arcade Fire's "Ready To Start" and Braun on vocals (perhaps Rococode covering "Rococo" would have been too obvious) and from there Ali Milner did a great "Take On Me" and Laura Smith crushed the vocals for "Rolling in the Deep". Tariq brought out Brasstronaut band-mates Edo and Sam for a sing along toThe Band and in a rare vocal appearance, Carruthers took centre stage for "Born To Run". The first set wrapped up with a pretty cool cover of "Common People" (almost as good as Shatner's) from Tariq.

Set Two
Under Pressure (Queen) - 
You Make My Dreams (Hall & Oates) - Ali Milner
She Drives Me Crazy (Fine Young Cannibals) - Hannah Georgas
Gold Guns Girls (Metric) - Jasmin Parkin
I Might Be Wrong (Radiohead) - Laura Smith
Solsbury Hill (Peter Gabriel) - Brian Healy
Single Ladies (Beyoncé) - Smith/Milner/Parkin/Georgas

The second set [apparently] started with "Under Pressure", which I was a little crushed to learn I had missed, due to the photobooth being in the back room this year as opposed to next to the stage. The rest of the set was focused on the lovely ladies of One Night Stand, which was by no means a bad thing. Hannah took over for a great cover of one of my favourite songs from when I was a youngin', Fine Young Cannibals' "She Drives Me Crazy" and Jasmin Parkin's "Gold Guns Girls" was one of the more interesting covers to hear, by virtue of the fact that Mother Mother and Metric are fairly similar bands.
They capped off the set -- and the year -- with all four ladies; Smith, Milner, Parkin and Georgas, informing everyone that if you liked it, you should have put a ring on it.

Set Three
With Or Without You (U2) - Rob Tornroos
Live and Let Die (Paul McCartney & Wings) - Andrew Braun
Lust For Life (Iggy Pop) - Brian Healy
Dancing On My Own (Robyn) - Smith/Georgas
Use Me (Bill Withers) - Tariq Hussain
Once in a Lifetime (Talking Heads) - Robbie Driscoll
In My Place (Coldplay) - Rob Tornroos
Gz and Hustlas (Snoop Dogg) - Hannah Georgas
Say It Ain't So (Weezer) - Andrew Braun
Like A Rolling Stone (Bob Dylan) - Everyone

The first song of the year, the traditional slow dance song, saw Elias' Robbie T belting out "With or Without You", before a great sing along to "Live and Let Die" lead by Braun. Two big highlight of the night came close together, the first being Robbie Dee -- normally in the background of various bands -- channelling Taking Heads and proving he is a pretty damn energetic frontman in his own right, and the second was Gorgeous Gangsta' Hannah Georgas throwning down some Snoop Dog, which had to be seen to be believed.
And as with previous years, they ended the night with everyone coming back on stage for a giant sing along, with most of the room joining in for "Like a Rolling Stone".

I think one of the best things about this event is always how much fun is had in the room. Starting on stage, it's blatantly obvious how much the people love doing this; love playing some of their favourite songs with some of their favourite people, and that enthusiasm definitely bleeds into the crowd. Hopefully they'll keep it going for years to come -- and seeing as they always sell out well in advance, hopefully next year they can get an even bigger venue!

Sing It Forward @ Vogue -- 12/21/11

Name your three favourite Vancouver bands. Chances are pretty strong that at least one of them was at the Vogue last night for Sing It Forward, an evening benefiting the kids of the St James Music Academy. Organized by David Vertesi and Ambrosia Humphrey, they brought together some of Vancouver's finest for a night of music.

Leading up to the night, there was also a series of videos posted on Vancouver is Awesome of the bands joined by the kids of SJMA for a song (see them all on their Vimeo channel), and these were shows throughout the night between sets.

As there were almost a dozen acts, each had a short set of three acoustic songs, so I won't linger too long on each act.

Arriving just in time for the last song by Aaron Nazrul of The Boom Booms, he was joined by just about the whole band for a song about East Van, where they're from. It sounded pretty much what you'd expect from The Boom Booms; upbeat and energetic.

Next up was The Belle Game, starting off with "Sleep To Grow", including a fantastic ending with Andrew Lee on trumpet. Even stripped down acoustically, the band had a lush, rich sound that seemed to fit perfectly for a theatre venue like the Vogue; I would love to see them do a full set there sometime. They wrapped up their set with "Shoulders and Turns" with a good number of the other musicians coming out for percussion to end with a bang.

Rococode was next, their raucous sound translating acoustically very nicely (the use of the xylophone definitely helped out with that). The songs -- "Empire" especially -- were no less catchy, and "Dreams" possibly worked even better as an acoustic song, being much more haunting stripped down, and getting the crowd to sing along for the end of it. 

Up next was the man of the night, David Vertesi himself. With just Andrew Rasmussen joining him on keys, he played some of the softer songs from his album; "All Night, All Night, All Night" and "Learn To Run", the latter building to an intensely emotional ending. He ended the set with a surprise guest, calling out Hannah Georgas to sing backups on "Mountainside", bringing up the energy a bit more to wrap up his set.

Ben, Tyler and Jacelyn of Said The Whale were up next, with Ben taking care of the vocals, since Tyler was still recovering from having his tonsils removed (seriously). Every year the band puts out a Christmas song or EP, and their set consisted solely of some of these Christmas songs, with the dreary "Puddleglum" being one of my favourites of the night. Even in a post-surgery haze, Tyler had pretty good energy, and Ben's great voice effortlessly filled the venue.

Wrapping up the first half of the night was Aidan Knight who started off with the most heartbreakingly beautiful song, "Margaret Downe", and even managed to break a string. At an acoustic show. After some of his usual hilarious banter -- a story about how his guitar got the name Burnt Reynolds -- and some deliberation, he played a brand new song and ended, of course, with "Jasper", bringing up all the kids on stage to sing with him.

At this point there was a short intermission, and then Adaline kicking off the second half. She had a bit of a auspicious start, as the keyboard she rented wasn't working, and the one they had been using all night wasn't ready. But she handled it like a champ, first encouraging the kids to continue on with music, then ready to sing a capella, with Robbie Driscoll on bass. Just as she started, though, they got the keyboard fixed and she was able to launch into her somewhat dark, sexy sound, starting with "The Noise" and then bringing out Laura Smith to help with background vocals for "Keep Me High", ending with her own Christmas song from the Light Organ compilation.

Next, Vince Vaccaro was out solo, armed with just his guitar. I've always found Vaccaro's music kind of hit or miss, personally, but I rather enjoyed his acoustic set, and I can't deny he is a pretty great performer. After his first song, he invited all the St James kids back on stage, and they helped out -- along with Ash from Hey Ocean and everyone's drummer Johnny Andrews -- for "Costa Rica" to wrap up his portion of the night.

Another surprise guest popped up between sets when Shad came out to fill the time before the next act with a couple freestyle verses, including his soliloquy from the end of "Live Forever"

Then it was the only non-Vancouver act, Michael Bernard Fitzgerald coming in from Calgary. After a new song, and teasing an upcoming album, he launched into "Movie Life", with a little but of "The Thong Song" (cleaned up a little, for the kids) slipped in at the end, and another new one with Vertesi -- and the kids back up on stage out to help out with singing. MBF is always incredibly fun to watch live, as he just exudes charisma, and you can't help but be charmed by him.

Zach Gray of The Zolas was the penultimate act, coming out with a couple new songs; "Strange Girl" and, after taking a survey of his own (which went about as conclusive as Aidan's) a brand new one called "Ancient Mars", which Zach described as a nerdy love song that he never played all the way through before. It had me at the first line, "I want to believe in time travel". He ended the set with everyone getting into "You're Too Cool", and some great singing along from the crowd.

And finally, wrapping up the night was Hey Ocean starting with a really cool version of "Big Blue Wave" -- which I may have liked even more than the full band version. They threw in their new Christmas song, which had the best intro; first Vertesi introduced in each instrument as they came in (including everyone's favourite holiday instrument: the keytar) and then brought out the awkward dancers, with the greatest dance moves of the year from Aidan Knight and Alex Andrew from the Belle Game. They wrapped it all up with the St James kids back on stage, and all other musicians as well, for a giant singalong to "Alley Ways", for a pretty great moment to end the night on.

It ended up being a four hour long night, but it hardly felt like it, as there was never a dull moment or a lull in the show. All the performers were top notch, and they kept the changeover times to a minimum, with the videos or the lovely emcees from The Peak keeping things running smoothly.

It would be cliché to call it a magical night, but there is hardly any better description, and I hope some variation of this turns into a yearly event.

We Are The City w/ Treelines & Fields of Green @ Rio Theatre -- 12/10/11

Two years ago -- to the day -- was the first time I saw We Are The City live. To say I was impressed would be an understatement. They quickly became one of my favourite "local" bands (being from Kelowna), and I have probably seen them a dozen times since. Even the brief departure of David Menzel didn't slow them down, but last night was the first Vancouver show with him back. And along with them was a couple other Kelowna transplants -- and Peak Performance Project alumni -- for a killer lineup at the Rio Theatre.

First up was Fields of Green, and right off the bat I noticed their energy, particularly that of drummer, who is almost a human analog of Animal from The Muppets, with wild arms flailing. They had a bit of a synthy, prog rock driven sound and some pretty catchy songs, with a few new ones in the set, as they had just finished recording a new album and part way through the set they switched things up with the keyboardist taking over on guitar for a few songs, and switching up lead vocals for another.
When I saw them earlier this year, I thought they were quite good, and really fun to watch, but a bit green, and I thought they have really improved in just the last couple months. I am definitely looking forward the the upcoming album, and their next show.

Treelines was up next, starting their set off with a bang by high-kicking right in to the rocking "Ghost Towns". As usual they, they had a great energy, especially lead singer Matt Lockhart, but especially his brother and bassist Steve, who never fails to amuse me by singing along to every word of the set, even though he rarely has a microphone in front of him.
Mid-way through the set they brought things down for a moment with the heartbreaking "When I Get Grown", which saw Matt Kelly on slide guitar, and the title track for their new digital EP, Courage, which starts slow but swells to a grand finish.  After a couple more they ended the set ended with catchy "Ode to the Prairies", and that awkward moment where someone in the front threw a bra at Steve, who didn't seem too amused by it (keep in mind, it was an all ages show). Treelines always put on a fun, rocking show and this was no exception.

And finally, We Are The City hit the stage to a bit of a haunting intro and kicked off with "Happy New Year", garnering a fair amount of singing along. The set was a mix of new and old, with Menzel nailing the guitar parts from the High School EP and the trio sounding better than ever. When I first saw them, I was amazed by how tight they were, and they have gotten exponentially better since then, with a great stage presence and an incredible energy; especially Andy who is up and down more than any drummer I've seen. They also have some of the best banter, which seems less like "stage banter" and more like three friends chatting with you, which is highlighted in the way Cayne & Andy play off each other and interact.
As for the set itself, highlights included the beautiful "April" and the intense "Astronomers", both from In A Quiet World, a newer, unreleased song called "The Birds" which ebbs and flows, and "Mourning Song" off their most recent 7", with an amazing outro/transition between that and "Dark/Warm Air", which saw Andy on vocals and has a bass line that thumps right to your core.
Early in the set I was ever so slightly disappointed that they did not play the entire High School EP in order, with the Amazing Factory video playing on the big screen behind them, but that disappointment was sated when they launched into "Dark/Warm Air" and the video came on screen. That was the "last" song, but they were back out for "Angel in White", with the video projected for that song as well.

My only squabble was that there was a slight buzzing for the entirety of We Are The City's set, and while it wasn't always noticeable, there were a few times during the softer parts of the song where it was; but aside from that, it was an incredible set, and an incredible night of three great bands.

SchMusic BC Christmas Party w/ David Vertesi, Maurice & Sidney York @ Electric Owl -- 12/07/11

As December comes, so too do the holiday-themed parties and shows. And of course the fine folks at Music BC aren't going to let the season go by without the SchMusicBC Christmas party; some mingling of industry types, followed by a trio of great bands. Bands that regular readers (all 17 of you) will know I am quite fond of.

First up was Sidney York, with the usual trio of Brandi Sidoryk, Sheryl Reinhardt on oboe and Krista Wodelet on bassoon joined by an all star supporting section of Devon Lougheed on guitar, Luke Cyca on drums and bassist extraordinaire Shaun Huberts.
The set started off with Brandi on guitar for "Tea As It Should Be", but she was soon on the keys, where she remained for most of the night -- with a couple exceptions when she broke out the french horn or ukulele. And, as usual, her vocals were powerful and spot-on.
The band, especially Brandi, has always had a great energy and presence but this time seemed everything seemed to be turned up a notch, with the band meshing together so beautifully, and both Sheryl & Krista seeming even more outgoing than previously.
Aside form their own material, part way through the set they threw in a cover of The Naked & Famous' "Young Blood", which sounded great, and they ended the set, somehow topping the energy with "Roll With Me". My only complain about the set -- and the night in general -- was the sound at the Electric Owl was not the best. There were a few moments of feedback and occasionally it seemed the bassoon sounded too low; but aside from that, it was best set I've seen from them this year, definitely energy-wise if nothing else.

Next up was Maurice, who I have seen a few times now this year and am liking more and more every time I see them. Joining JP Maurice was a who's who of Victoria musicians with drummer Jason Cook, Mike Edel on bass and Adam Sutherland on guitar. They opened with "Big Country", and the the set just built with energy from there, with JP's fantastic presence and raw emotion driving the energy and intensity of the songs.
There were a few new tunes, which sounded great, and some off the recent Noverdubs EP, including the fantastic cover of Fleetwood Mac's "Dreams" and the insanely catchy "Mistake", during which Maurice lived up to the the "schmooze" part by hopping off the stage and asking a few people up front who they are and what they did. After a couple more they brought out another cover, this time of Top Less Gay Love Tekno Party's "Robin", which had the band going all out, ending the set with a bang..

And finally, rounding out the night was David Vertesi, who -- much like the previous acts -- surrounded himself with some great and notable musicians; Juno winning Peter Carruthers on bass, Dan Klenner on drums and Andrew Rasmussen on guitar and keys (and keytar). I've seen Dave several times this year, with various members in his band or even solo, and this configuration, which I think is the permanent lineup, definitely worked together the best. Everyone, especially Vertesi, was completely at home and comfortable on stage, with Vertesi's effortless charm and a smooth baritone that lulls you into the songs that are often about love, and usually brutally honest.
The set ranged from the more upbeat, getting people to dance -- or at least shoulder shimmy -- with "Broadcasting", then completely shifting gears to more heartbreaking songs like "Learn To Run", as well as a cover, with his own take on Spice Girls' "Say You'll Be There". It not only got a good number of people dancing at the stage, but Vertesi even had his own little choreographed dance for one of the verses.

Even if the sound in the Electric Owl still leaves something to be desired, it was still a fantastic night of local(ish) music and company, and I am already looking forward to the next SchMusic BC party.