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Song of the Day: November 1, 2019 - "The Perpetual Optimist" by Luke Lalonde

November 01, 2019 by Christine McAvoy in Song Of The Day

Yesterday we gave you a song from a lead singer’s solo album, and today we have another one!

Luke Lalonde, of Toronto band Born Ruffians, announced the future release of his second solo album (the first was in 2012!), and gave us the title track: “The Perpetual Optimist”.

The effort is due to be released on November 22 and Luke explains how the album came to be in a very Luke way, which you can read below the video for the song!

"I was moving back to Toronto from New York and I found myself pulling into a cemetery. I just sort of ended up there. I frequently end up in cemeteries, where I'll sit parked in my car or on a bench to jot some ideas down--lyrics, poems, drawings--surrounded by strangers in the dirt. I move a lot.

When I was a kid my grandfather, Charlie, would bring me to one cemetery in particular where he used to work as a teenager. I think it made him feel young. It reminded him of a carefree time. As counter intuitive as that may seem on the surface, it actually makes a lot of sense: You're younger than pretty much anyone in there, and all of them are about as carefree as you can get. We would go and chat with the groundskeepers, drive around the plots, and he'd point out all the people he knew who were buried there. Charlie and June were my mother's parents. Their lives were marked with more death than most would be able to handle. He and June are buried there now.

Now that I'm older, I travel a lot. In Germany, I saw row upon row of tombstone after tombstone marked with the same date of death. Reading the same date over and over can move you to tears. In some places there will just be a building stocked with innumerable small compartments, thousands of names on silver placards, much like a post office. Except instead of holding people's flyers and junk mail, they have your mom, or your uncle Terry. One of those had a nice koi pond outside. Call me old fashioned but I still prefer a big park filled with coffins, at least aesthetically speaking. 

Recently I've been worrying a lot. I think a lot of people have. There's a lot of bad things happening out there. I worry mostly about the planet, and the animals living on it. I worry that we humans, so prone to consume and destroy, do more evil than good. I think our planet is God and she is attempting to buck us off now.

But I also worry about myself. I worry about the people I love, and about innumerable inane things throughout my day that eclipse the fact that we're undergoing a mass extinction event. I don't know if we're equipped to comprehend an apocalypse that moves so slowly. Or maybe we're all just wired with a firebrand optimism.

So as I sit surrounded by decaying corpses and summer skies, waiting for a muse, I've realized, that's what the record is about, more or less. I sense we're all bound for that eternal rest. My pen hovers above the page and I think about humanity in the 21st century, suspended on a wire in a hurricane." - Luke Lalonde

November 01, 2019 /Christine McAvoy
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Song of the Day: October 31, 2019 - "C'est L'Halloween" by Elliott Brood

October 31, 2019 by Christine McAvoy in Song Of The Day

Kirk and I always try and find an original or spooky Canadian indie music song for Halloween’s Song Of The Day, and the other day Elliott Brood released a perfect one.

The song is a cover of the classic Canadian french song “C’est L’Halloween” and it couldn’t be more perfect of a match for the band, between the banjo and the sing-a-long “Hey!”s.

Have a safe and spooky L’Halloween everyone!

[PS Elliott Brood is on tour with The Dead South, and while they aren’t scheduled to play in Vancouver, they will be in Seattle on Thursday December 5th]

October 31, 2019 /Christine McAvoy
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Photo Credit: Mimi Raver

Song of the Day: October 30, 2019 - "On A Wave" by Dave Monks

October 30, 2019 by Christine McAvoy in Song Of The Day

Dave Monks (of Tokyo Police Club) released his new solo album On A Wave on the 18th of this month, and the latest single from it is the title track!

He’s touring in November with Said The Whale out east, so you can catch the new tunes live if you live out there. But for now check out the track below, or the album by clicking here!

October 30, 2019 /Christine McAvoy
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photo by Zach Hertzman

Song(s) of the Day: October 29, 2019 - "Disco Ball" & "One Lost Time" by Little Scream

October 29, 2019 by Christine McAvoy in Song Of The Day

The last of my double-song posts this week is two tracks from Little Scream’s newly released album Speed Queen. (Of which, I have not been at getting these out on time).

”Disco Ball” came from a chance find of a ‘flying-V’ guitar she managed to spot while driving in Illinois, and on which she wrote this album, which is a reflection on class and poverty in America.

”One Lost Time” came out around Canadian Thanksgiving and Columbus day, as she wanted to discuss the fact (and why) she included the indigenous territories upon which she recorded the album.

“Speed Queen was recorded on unceded Algonquin, Anishinabek territory in Studio Quyon, on land of the K’ómoks and Tla’amin Nation in Studio Hidden Well, and in studios Skybarn, Mixart, and The Bridge on traditional territory of the Kanien’kehá:ka.”

The full album was released on October 25th and we don’t have tour dates yet, but I’ve got my fingers crossed.

October 29, 2019 /Christine McAvoy
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photo by Lovisa Drever

Song(s) of the Day: October 28, 2019 - "Hold The Bow" & "Let Me Wear The Mask" by Woolworm

October 28, 2019 by Christine McAvoy in Song Of The Day

Just under two weeks until Woolworm release their LP titled Awe. (Nov 8th)

Honestly if I were more eloquent, I might be able to describe Woolworm’s sound to you as it’s both a combination of so many styles, but 100% it’s own thing.

Basically you’ll just have to listen to the two tracks that have been released, “Hold The Bow” and “Let Me Wear The Mask” below and see where you’d place them. Either way, it’s exactly what I’m in the mood for this Monday morning.

And then you can check them out at their record release show on November 15th at the Red Gate Society in Vancouver!

October 28, 2019 /Christine McAvoy
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photo by Robbie Jeffers

Song(s) of the Day: October 27, 2019 - "Blackout" and "It's All Happening" by Sam Weber

October 27, 2019 by Christine McAvoy in Song Of The Day

Sam Weber’s new album Everything Comes True, was just released a few days ago!

I’m still catching up (we’re going to have a few more double-song days of our SOTD column) so here are two of the tracks: “Blackout” and “It’s All Happening”.

Sam is going to be in Vancouver in just over a week, on November 5th at the Biltmore with Terra Lightfoot (whom he has previously collaborated on a song with, so I expect to hear that one live!).

October 27, 2019 /Christine McAvoy
sam weber, song of the day, songs of the day, blackout, it's all happening, everything comes true
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photo by Levi Manchak

Song(s) of the Day: October 26, 2019 - "ôtênaw" & "disappear" by nêhiyawak

October 26, 2019 by Christine McAvoy in Song Of The Day

Okay, Kirk’s been posting the Song Of The Day posts for about a month now since I’ve been travelling to Toronto for Polaris, and Whitehorse for Break Out West, and now I’m playing catch-up on the ones that he hasn’t covered yet.

Speaking of Break Out West, I saw nêhiyawak at last year’s BOW in Kelowna and was blown away. Well, they just released their latest album nipiy on Thursday, and I’ve got TWO songs from the record for you today: "ôtênaw" & "disappear".

I’m really looking forward to the next time I get to see them perform live - the next chance in Vancouver is at the Museum Of Anthropology on December 5th!

October 26, 2019 /Christine McAvoy
nehiyawak, otenaw, disappear, song of the day, songs of the day, nipiy
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Song of the Day: October 25, 2019 - "‘Til We Disappear" by Tourist Company

October 25, 2019 by Kirk Hamilton in Song Of The Day

We’ve had a few peeks at the upcoming album from Tourist Company, and the latest is a track inspired by a deeply personal life event, “‘Til We Disappear”. The story is a rollercoaster of emotion, so I’m just going to let singer-songwriter, Taylor Swindells tell it:

“This was the last song written for this record and it’s a little bit of an aside from the rest of the album. I wasn’t intending on writing any more songs for this project but life had other plans. I’d just come home from tour when my partner sat me down and told me she wasn’t pregnant – which was kind of a strange way to start a conversation. I remember my heart leaping into my throat not really being certain what was going to happen next. She told me that her doctor didn’t know what was wrong with her – she was eight weeks late and had taken two pregnancy tests herself, but the doctor’s test had come back negative. She was categorically not pregnant. This left two options that were both terrifying: either she could never have kids, or she had uterine cancer and we had no way of knowing if or how much it had spread. I wrote this song pretty shortly after that conversation, trying not to freak out but knowing that I loved her more than anything and that was never going to change.
Moments like that bring a lot of clarity to what actually matters. Without those terrifying events, it’s hard to know how deep anything in life really is. All I wanted right then and there was for her to know that I loved her no matter what and that was never going to change. Two weeks later after another doctor’s test we found out that she was actually just pregnant the whole time, which was the BIGGEST relief. We still don’t know what medically happened but we’re very happy to be parents now.
Even though this song wasn’t originally set within the world of the new album, it seemed like a fitting way to end a record about processing bad news. I felt all the stages of this album in those two weeks when our world was turned upside down, but the truth was, all that mattered was ‘I will love you ‘til we disappear’.”

The new album comes out early next year, but you might be able to catch a preview of it next week at the Biltmore, where they are opening for Rich Aucoin… on Hallowe’en!

October 25, 2019 /Kirk Hamilton
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